Issa Allah: Mother of Caves. It shows coldness, shows its coldness, describes human nature, interprets bravery, and is worthy of the "holy cave". (Well, it's The Deadly Abyss, and the universal translation is overwhelmingly powerful.)
How much can humanity save when an adventure turns into a disaster? Thank you this film for not challenging love. From fighting for oxygen to friends turning against each other, can we only rely on warm scenes - relying on it to boost confidence? How do you feel when your own son hates you? I have to think about what the meaning of life is. A small explorer may be considered "getting the right place", but it is still difficult to distinguish right from wrong. Fortunately, Josh finally realized his father's integrity and love. So when Josh was climbing, his father's comforting sentence "good boy" instantly touched the heartstrings of the audience, and then the moment Frank gave his son his hand moved the audience to tears.
Or the meaning of life is... Josh asked his father, "What are you talking about?" When he
arrived at Shangdu... Kublai Khan was called the Great Khan, the
Changle Dome... His grandeur overflowed with decrees, and the
palace was indifferent... poured into Al Floating river,
diving into the holy cave... The depths are beyond human reach.
This strange poem was passed on from his mother to his father, and his life continued.
Note one
Before watching the movie, I didn't know that there was still Cameron in it. After being "stuck" by the majestic momentum and suffocating rhythm of the film, I suddenly felt that this was Cameron's style. Sure enough, the more I look at it, the more it looks like "Abyss", but I also know that aliens will not appear in the end. What is Cameron's style? Straightforward, academic plot. Similar to Spielberg, Cameron is more tough, and Spielberg is more innocent. The plot of the movie should be like this, and there is no need for colorful effects and color feasts. Guoying is lacking this kind of drama bone, lacking this kind of drama bone that is only plain and straightforward, and even the half-baked product "Three Guns Shooting the Table Surprise" is unanimously applauded for breaking the long-term lack of content of Guoying. The famous directors gave up "Qiu Ju's Lawsuit", "No One Can Be Missed", "My Father and Mother", "Heroes"; , "Big Shot" and other narrative films, turn to "Golden Armor", "Night Banquet" and other aesthetic films. As for which kind of film is good? Forget it, there is no comparison.
Note 2
The Chinese translation of Coleridge's Kublai Khan in the film is very beautiful. The quotation in this film review is slightly modified. The original translator is unknown.
Fadeoc Khaos
Jan. 22nd, 2012
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