The film clearly had a lot of effort right from the start. Needless to say, the pictures are beautiful. Every frame of the film is cut out of a work of art every minute. These art styles also clearly show the Western aesthetic philosophy. White space is a stark contrast. The deep sea of the orchid, the crystal clear sky and sea, coupled with the warm and agile singing, fully attracted everyone's eyes.
On the whole, the film may be too artistically ethereal or pure, lacking in narrative, or perhaps this is a pursuit of the author, try to dilute everyone's attention to the plot as much as possible, and leave more space Take a look inside yourself. The most intense conflict in the whole film should be the scene where I went to find Macha to rescue my sister. Even in such a tense scene, the author did not strengthen the atmosphere through frequent editing or other methods, and still handled it relatively. Tranquil, and the author's style is drawn from these faint flavors.
Macha, although not many scenes, left a deep impression on me, especially her interpretation of pain. She couldn't bear to see her son who cried bitterly and turned him into a stone. She felt that this would free her son, but it was just a pitiful escape. In the face of pain, shrinking seems to be a normal human condition, and Macha settled on the stone wall for this shrinkage. If any of your emotions is bothering you from time to time, Macha can take it away, so that you can live numbly again. Does numbness feel more tragic than pain?
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