But it's maddening right now, and black and white doesn't get people to focus right from the start, especially for audiences accustomed to Hollywood productions. Another thing to complain about is the poor picture quality.
The battleship Potemkin was released in 1925. If I evaluate this film by combining hard technology and soft technology, I can only say that it is like the thin silk on Xin Zhui that I saw last year in Bo, Hunan Province. Weaving "Plain Yarn Clothes". People in the world talked about all kinds of legends about this dress. When they met, they stared wide-eyed and were amazed. Finally, they muttered a word in their hearts.
Zhan is like this. After the clerk who put a movie for us adjusted the subtitles, he closed the door and went out. There were only two people left in the private room. After I briefly told the dummy the information I had found on Du Niang, I faced the screen and began to fall into an endless stream of consciousness. There was only a battleship, No. 2 people, and a mention of stinky meat in my mind.
The entire screen shook violently, and snowflakes that had not been seen for many years appeared. Ah'Dai also said, there are bright spots, there are bright spots, you see how magnificent the dubbing is! ! So unfortunately I don't know what era this film took place, I thought it was the October Revolution.
However, I still believe it's a good movie anyway.
A thing, the more the modification, the less the essence. A good film, a good film that is famous in the history of the film, the worse the hard technology is, the softer the technology is bound to be amazing. (Soft technology refers to artificial modifications and plots. Don't call me too subjective to categorize like this, it's because you didn't understand my thinking.
Besides, McLuhan does the same -)
First of all, as Deng said, the soundtrack Worth a book.
Also, this is the fastest-paced film I've ever seen (there aren't many empty shots or anything like that) The
Odessa Step Massacre is a classic scene, especially the death of the teenager and the baby, and the arrest of the teenager's mother crazy face. Reminds me of an oil painting called "The Scream" (Munch, I always thought it was Van Gogh)
By the way, it is said that this film made by Sergei Eisenstein is the pioneering work of montage, because basically in my movie viewing habits, montage is the basic element for a movie to be called a movie, but there is no such thing yet. I have seen the film earlier than 1925, and I have not watched the film seriously, but I really did not feel the greatness of this aspect.
Well, let others judge.
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