I think that there are no wonders in the world, and the abnormal cognition of the Grizzlies is understandable, but it is a pity to report the lives of themselves and their girlfriends. If I were his relatives, I might scold and rebuke in distress to make up for the bleeding in my heart, but after all, I am an imaginary that viewers cannot put themselves in, and I only have regrets after understanding. I think what the film wants to present is not the protection of wild animals but a dialectical reflection on the outcome of such abnormal individual actions.
I am the director, and my attitude is to seek verification from multiple sources. I try to present a multi-faceted individual, and the conclusion is in the hands of the viewer. Compared with "Bowling in Columbine", "The Grizzly Man" is also thinking about it, but it has the possibility of more realistic materials. The video material left by the Grizzly Man is the highlight of the film. Present, you consciously. The two films are like a superposition of facts and comments, which will give us more recollections of the reality, without pretense, and with power.
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