Farhadi is worthy of being a screenwriting wizard. In recent years, his works have a very high level, excellent screenwriters, and excellent directors. Although there are calculations in his films, it is precisely this kind of step-by-step approach to achieve the peak. Although the salesman is an over-inflated male power, the female consciousness is minimal but insinuated. It's the whole Iranian society. What's interesting is that Farhadi used the protagonist's drama and life experience to bridge the final death and revenge. It's not pleasure or authority. The real victim became a bystander and even showed sympathy. But the embarrassing situation of being powerless makes people sigh Said that I am really in awe of faith. "Salesman" has faded away from faith. This time, it gave us another chance to experience physical and mental experience. I am looking forward to Farhadi's next work.
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