A home with nowhere to go due to demolition, a speechless silence due to aggression, a powerless and variable justice due to sin, in the end we can only feel powerless.
The male protagonist is a college literature teacher (presumably) and the salesman in the film Death of a Salesman, both of them, but not all of them. For his wife's being violated, he does not demean his wife because of this, but tries his best to find relief in this matter, his own relief, and let his wife also seek relief in this matter. He tries his best to be calm and let him You can face it calmly. He basically did it, but he also had moments when he couldn't hold back, and frantically rummaged through the previous resident's information in response to his vulnerable wife's response. His character seems to be absolutely rational and peaceful, but he can't hide his inner fiery, just like the solution to the hunched old man who violated his wife in the end, he wanted to forgive, but he couldn't help but slap him. Hit the old man in the face, but also in his own heart. I deeply remember his cry, the cry of such a strong man, the cry that broke out after the palm of his hand, in this cry, there is no way to solve it, and can only choose to hide the helplessness, facing the helplessness of his wife, no. To have the heart to destroy the forbearance of the elderly family, too much complexity rushed out at this moment. He saw the sin of the old man, and he couldn't face the sin he was about to commit.
There is no good knot in evil, evil is an infinite cycle. None of us is absolutely righteous or sinful in it. It is this impermanent transformation that frightens me the most.
As soon as the door is opened, the lust will come together, and the evil will emerge, and there will be no power to recover. We want to uncover this layer of evil and completely eradicate it, but we don’t want to be the source of another evil. The male protagonist wants to try his best to reveal the face of this sin, but he does not want the kindness to be revealed together. If sin is eradicated, this goodness will be eradicated with it. What will we choose now.
With the palm of the male lead in the film, the old man walked out weakly, his face turned pale, and finally fell down. The most exciting part of the film is also here, cleverly handing over the problem of kindness and sin to Allah. down and continue to live.
The choice between good and evil is beyond our control, because we ourselves are a composite of the two. So leave this to Allah, to God.
Evil without good ends, but good can be buried, but this requires a price.
With good and evil coexisting, we can only actively repair ourselves, and we are willing to be a circulatory body of goodness all the time.
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