A fragile relationship is maintaining a certain delicate balance, and the parties involved are immersed in this precarious relationship with self-indulgence. At this time, a third party who accidentally broke in broke the balance, and all appearances of peace collapsed in an instant. The truth that has been buried for a long time is revealed, and the person involved is pushed into a moral dilemma of "to say or not to say". This is the script routine of Iranian director Ashar...
Speaking of Ashar's "Salesman", I remember that Hitchcock also made a similar "Sweet Love Story", but Xi Lao's film is full of suspense, and it adds a layer of hazy to the truth that was originally blurred. veil. And Asgha played on this basis, and raised a more acute question: If the perpetrator itself is a vulnerable group who should be sympathetic to, should this one-shot atrocity be forgiven?
But in a sense, Asghar may have been greatly influenced by Hitchcock, and the two of them can probably be classified in the category of social suspense films, but Asghar has taken a different approach on the basis of Hitchcock. The development of the study of crime is called the study of morality.
View more about The Salesman reviews
