Real existence, absurd nothingness

Jeffry 2022-04-22 07:01:41

Li Cangdong's movie "Burning" has a magical experience. Under the slightly suspenseful tone of the theme, the whole narrative seems calm as a whole, but after watching it, it has a long aftertaste.

What is the meaning of human existence?

What is the purpose of a poor man living in an old house in the country, without a serious job, and running for his litigious father?

Living in a wealthy area, driving a luxury car, and "there is no difference between work and play nowadays", what purpose do the wealthy live for?

Shin Hye-mi is in the middle of the situation. She is so poor that she works odd jobs to pay off her debts, and at the same time, she also performs pantomimes and travels to Africa to find her inner answers.

Jump off the Little Hunger and become the Great Hunger, indulge in the communication between the horizon and the sky, lament the beauty of the end of the sunset and the sunset, and shed tears unconsciously. At dusk in Paju, Hye Mi dances in front of Jong Soo's old house, adding a touch of illusory color to the film.

For young Lee Jong-soo, since coming into contact with the equally young Shin Hye-mi, he has come into contact with a more profound and depressing spiritual world, and it is even more elusive under the sunshine, what is truth.

Does the orange in Emi's hand exist? What about her cat? Was there really a well that Emi mentioned in the neighborhood of his childhood home? Is the suddenly appearing mother real? Where is the plastic shed that Ben burned? ...

How does a rough life get around? Why did the spark of hope that was buried in the heart just disappear for no reason? Why is the material and spiritual gap between people so difficult to understand? Is there a difference between unreal and real?

After touching all this, it seems that the outline of the entire society in front of us is blurred, just like the gradation of the sunset on the horizon at sunset, soon after the magnificent fiery red, it will fall into a dim silence. "It would be nice if it disappeared like it didn't exist in the first place." - Emi once commented on the sunset scene seen on the African grasslands.

The setting sun is the burning before exhaustion. The Teen Clock Show burns his mother's clothes, and Ben says he likes to periodically burn plastic sheds. Everyone has expectations for burning, not only in the process of burning, but also in the satisfaction that the flame devours everything.

Then burn it, burn everything beautiful, ugly, real, or illusory, burn it up, burn it up, disappear in the sky, disappear in your heart.

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Extended Reading
  • April 2022-04-24 07:01:16

    A/ After Miryang, Li Cangdong's characters gradually got rid of a clearer purpose, and the burning was injected with an unprecedented sense of wanton flow. Often, the characters can be immersed in advance before they reach release, completely opening up that potential void. In the first half of the audience, the self-contained narrative is completely unrolled after an "adventure", like floating and sinking in a chaotic shoal/deep sea. Is it straightforward? What I watched was nothing but pantomime. / Wushu: It is precisely because the extremely complex textual faces play the function of situation construction that narratives continue to exhibit their instability after the metaphorical source collapses. When Zong Xiu said, "I'm imagining Hai Mei's situation," his slow description gradually drifted until it ceased, and the reality "plot" that was presupposed to be the foundation was suddenly evacuated—the end of the ubiquitous language becoming ineffective , while Lee Chang-dong gives this middling/breaking point a naked new life at the end.

  • Mae 2022-03-24 09:02:43

    Rather than calling it a film masterpiece, it is more appropriate to call it a literary masterpiece. Li Cangdong's talent is obviously that text is greater than video. He is not sensitive to the camera, but he can make use of his strengths and avoid weaknesses. He has a keen sense of smell by relying on words, images nest images, and metaphors link together. Metaphors, hard splits create chisels, virtual and real coexist, ambiguous and ambiguous, constructing an open modern labyrinth. In the visual soil of the lack of Korean literature genes, he is lonely and defeated.

Burning quotes

  • Shin Hae-mi: Do you know Bushmen in the Kalahari Desert, Africa It is said that Bushmen have two types of hungry people. Hungry English is hunger, Little hungry and great hungry. Little hungry people are physically hungry, The great hungry is a person who is hungry for survival. Why do we live, What is the significance of living? People who are always looking for these answers. This kind of person is really hungry, They called the great hungry.