The beginning is cut from the dream, a group of wild dogs running frantically, and the soldiers behind the crazy shooting form an interesting intertext. In the film, the protagonist's dream appears repeatedly, three people lying naked in the river, under the fire of the flares. Under the reflection, I walked to the shore, put on clothes in desperation, and walked into the ruins. Women like ghosts rushed to my face. They all said that dreams are the embodiment of the subconscious. The creator let us walk into the memory of the protagonist. In the depths, the tonality of the film is gradually approaching from the illusory and blurred dreams to the cold and tingling reality.
The animation dissolves reality to the greatest extent, blurs the cruelty of war, and truly presents to the audience the feeling of confusion, confusion, and even unconsciousness that individual soldiers feel when they are in war.
When the final scene of the film suddenly turned into a real recorded image, I felt that the theater was as silent as death, and it was the atmosphere where my breathing stopped. I suddenly had a new understanding of the director's motivation for using animation. , maybe what the director experienced and wanted to express was so heavy and cruel that it was hard for the audience to breathe. He kindly used animation. Although there were all kinds of cruel killings, The audience still has a certain sense of distance, until the final blow is given, telling us that whether it was a dream, or a form that seemed to be far away from reality, it was a real historical event, an unavoidable, established reality. . Immediately, the audience was so stinged that they had nowhere to hide and shuddered.
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