Absurdist. There is no morality to speak of. The female image is ugly and weak (Hei Zai's wife is terrified, "Why do you still eat under the bomb" "I can eat as much as I can" Hei Zai caught me instantly at this scene; Natalia has a strong desire on the wall, and protecting my brother is the only one Good), and there are no high-level men (the good Ma Gaodi animal caretaker takes care of the baby orangutan in a mess, but stutters and is incompetent). Simple and rude, no complicated strokes. But when you thought the movie was just that, it went a step further, surprising you, and you couldn't stop. The first part of the war, the second part of the cold war. After Ma Gao took Xiao Hei and Natalia out of the German military hospital, he suddenly switched to the liberation of Yugoslavia through music and documentary-like pictures. Ma Gao and Natalia took off the bronze statue of Hei Zai. The audience also thought that the black boy was dead. But the vast underground world is still in operation.
Concise and ironic. Natalia questioned the script of the film, and Ma Gao took the wine bottle and knocked it on the head, but there was no more performance.
20 years after the war: The old man who manages the clock tampers with the time, making the underground people think only 15 years have passed. How do you know your time hasn't been tampered with?
"The wedding is simple, it's war time, but everything we can offer comes from the bottom of our heart." There are more people who are blinded. Life outside is bright, you don't know it, it doesn't exist.
Art goes against reason and thus explores what reason cannot.
100 minutes and 67 minutes left.
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