Forcing one's own desires on others is a kind of gease, and gease is a sin, because it fundamentally distorts the will of people's free choice, time, space, countless interconnected people, and transcendent cause and effect, which cannot be controlled by people. Controlled, therefore, if the power of a person is huge, it will cause unpredictable causes and effects. It is Gease, and Nina, who is also quiet and inferior, created Freja, destroying thousands of lives in an instant. Lu Luxiu rebelled against the authority with good intentions to find the truth, and at the same time became the authority, the biggest liar, this is the wrong method Suzaku said. Suzaku participates in battle with the hand that wants to protect all life, struggles with the system, and does things that go against her inner voice. At the end of the film, Lu Luxiu is dressed in white, Suzaku is dressed in black, and the two share the throne watered by the red velvet waterfall, which is faintly bloody. This is a wonderful metaphor. They reach the same goal in different ways. If there can be a result, zero said to the confused Suzaku that he will bleed, but in order not to let the blood flow in vain, he will create more blood. Lu Luxiu said that daily life is happy, like glass, which is usually invisible, but you can see the charming brilliance by changing the angle a little. Usually, it is happiness, but this kind of happiness requires resistance. Nanali's weakness needs protection, Eleven needs survival and respect. The end of resistance is the establishment of a new country and even a new world, and the foundation of creation is destruction, which is to say goodbye to normal. Happiness. Everyone's desires are opposite, so this road of trampling on the hopes of others is unavoidable for Lu Luxiu and Suzaku.
cc said that the history of mankind is a history of struggle. The same is true for the pursuit of eternal freedom in Yuntu, and the beginning of each freedom will also lead to its opposite. The King of Bunytania is willing to build a world where truth does not lie, but the truth of the law of the jungle cannot be exchanged for eternal peace, regardless of the truth. The method of destroying time by assembling unconscious groups, denies all desire to collide, denies the accumulation of experience - that is, knowledge, denies human existence, the future. And the peace created by the Freja deterrence that the second prince adheres to is a peace above and above, and the deterrence of absolute destructive power is the premise. Human beings try to become the god of judgment and become another bystander. Interestingly, compared with the dictatorship of the power of God, the realization of the super-United States vision has also been ironic. There are too many people = too many votes in the play, and the defects of democracy. In the world, democracy is gone. In the end, the world of absolute peace that Nanali took over from her brother was just a reorganization of forces. Such a utopian world that relies on the beautiful girl monarch incarnate of kindness and the folk knight zero wearing a mask cannot be realized at all.
The only moment when I felt the highlight of freedom was when a million people put on the cape and mask of zero at the same time, all calling themselves zero, thinking of V for Vendetta, such a pure and real mood, just like Rollo said, that part with his brother. The days spent are real, as if Charlie was lying in a pool of blood, saying that the feeling of falling in love with Lu Luxiu again is real.
No one knows Lu Luxiu's sincerity. People who are covered in blood of others can't justify or disdain them. The buried true self needs the self's confirmation of the truth, and this confirmation determines the essence of the self. If this part of the essence can be understood by people, it is a great happiness. What Xia Li, Karen, Kagura, Nanali and Yuli understand is part of his essence, but they have given Lu Luxiu countless "redemptions" that he can't even notice. I think this is what Lu Luxiu obtained. gift, because he is a very gentle man.
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