View more about Neon Genesis Evangelion reviews
One flower, one world, one dream, one heaven
Howell 2022-04-21 09:02:34
-
Delmer 2022-03-28 09:01:04
The whole episode does not show mechas and monsters, but the helplessness and loneliness of various characters, showing the morbid psychology after the lack of a good childhood, and the various mech battles in the early stage are to place the characters in this apocalyptic background. Later, the contradictions of the characters deepened, so that in the mid-term, all kinds of contradictory self-questions occurred, and all these brewing broke out in the end. Machine warfare and the self-contradiction of the characters are just the foundation. Anno Hideaki's ambition is to show the self-contradiction of human beings. This leads to various philosophical and religious issues. Because of the foreshadowing of the previous 24 episodes, the self-report of all these characters is no longer as empty as the second lines of other animations, but full of emotional power. In the case of lack of funds The resulting picture cleverly caters to this twisted psychological self-report. But EVA is powerful, but I still think it's a bit overrated. The simple format of the unit drama and the split before and after can't be lingering.
-
Clifton 2021-12-24 08:01:11
Undoubtedly a masterpiece... After watching it the second time, I still haven't fully understood the last two episodes...
Neon Genesis Evangelion quotes
-
[Rei is explaining why she doesn't recall her having saved Shinji the day before]
Rei Ayanami: I think... I am the third.
-
[Shinji is moving in with Misato and putting away the groceries; Misato is in the other room, changing]
Shinji Ikari: [Notices Pen Pen's habitat] Hey, what's in the other refrigerator?
Misato Katsuragi: Oh, don't bother him! He's probably still sleeping!
Shinji Ikari: Still... sleeping?...