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Scot 2022-04-21 09:02:34
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Ashleigh 2021-12-24 08:01:11
In fact, I think the ending of episode 26 of the TV version is pretty good...
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Delmer 2022-03-28 09:01:04
The whole episode does not show mechas and monsters, but the helplessness and loneliness of various characters, showing the morbid psychology after the lack of a good childhood, and the various mech battles in the early stage are to place the characters in this apocalyptic background. Later, the contradictions of the characters deepened, so that in the mid-term, all kinds of contradictory self-questions occurred, and all these brewing broke out in the end. Machine warfare and the self-contradiction of the characters are just the foundation. Anno Hideaki's ambition is to show the self-contradiction of human beings. This leads to various philosophical and religious issues. Because of the foreshadowing of the previous 24 episodes, the self-report of all these characters is no longer as empty as the second lines of other animations, but full of emotional power. In the case of lack of funds The resulting picture cleverly caters to this twisted psychological self-report. But EVA is powerful, but I still think it's a bit overrated. The simple format of the unit drama and the split before and after can't be lingering.
Neon Genesis Evangelion quotes
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[Toji is right in front of Asuka as the wind lifts her dress up; she slaps him]
Tôji Suzuhara: Ow! What was that for?
Asuka Langley Sôryû: That's the viewing fee! In fact, I think I'm charging a very fair price!
Tôji Suzuhara: Oh? Well, don't worry, here's your change!
[He pulls down his pants and undershorts in retaliation]
Asuka Langley Sôryû: Ach!
[She slaps him again]
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Ryoji Kaji: So, can I buy you a drink? Cup o' tea?
Shinji Ikari: Kaji, I'm a boy.