watched "Fearless Heart" today. The first impression of the film was actually not good. When it came up, there were 16 commercials, and then there was a wave of thanks. Twenty minutes of the plot was scattered and procrastinated. I admit that the picture of the heroine sitting in the car and her hair scattered by the wind is very beautiful, but it does not mean that the heroine has to be blown every time she goes out. Let's have a close-up, right? And does it take two minutes to shoot the plot like the taxi rushing to solicit customers after the heroine gets off the train? I filmed a lot of eye contact between the taxi driver and the hostess, but after that, the driver never appeared again. This kind of verbose remarks messed up the rhythm of the previous period, and almost couldn't stand it. Nearly half an hour in the film, the first witness was killed, and the heroine's clues were interrupted. After that, the plot began to fluctuate with suspense, sweeping away the previous malaise.
And the relationship line described in this article, that is, the relationship line between the heroine Vidya and the little policeman Rana is really brilliant. The heroine set a beautiful and moving lone pregnant woman to find her husband. Others watched coldly and even suspected her. The little policeman gave her selfless help when her husband was pregnant and ran away. The atmosphere reached the peak when the little policeman in the alley helped the heroine walk forward; then the plot took a turn for the worse, and it was revealed that the heroine was just being used. After coming to find the murderer Milan, the two people are strangers but disconnected. The male protagonist stares silently at the moment when they pass by, describing the hazy emotions vividly; at the end of the film, the plot reverses for the second time. In fact, it is the family of the victim. Her child was aborted two years ago because of the news of her husband’s death. Now she is using a false identity to realize her revenge plan. The little policeman is just a pawn. Finally, the hostess left him with a letter, signed by the official name Satyoki instead of the nickname Rana. Only close people would be called nicknames. This letter eventually pushed the emotional line into the grave. The last film also shows two people lighting candles at different places at the same time to pray for the dead. As the goddess statue sinks into the water, the whole plot settles, which can be regarded as a wave of sublimation.
Although there are a few interesting points in the overall story, for example, the fat agent who assassinated the heroine can't breathe after running a few steps, and is inexplicably hit by a car →_→but the flaws are not covered up, the whole is very smooth after deducting the first half hour, and the plot is not deliberate. The feeling of artificiality; and in my opinion, the emotional line of this film is much more exciting than its plot line, and it can be shot as a romantic film; there are many expressions of Indian culture and society in the film, and many direct The philosophical discussion is generally pretty good.
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