The reality I can't believe.

Percy 2022-04-19 09:02:12

The rapid development of Japan after the war, the development of industry not only brought economic prosperity, but also brought great pressure and spiritual lack on people themselves.

When Zhou Ji and Fuzi looked at the city of Tokyo, Zhou Ji and Fuzi had such a dialogue: "Look at how big Tokyo is." "Yeah, if we get lost, we will never find each other again." In fact, "Tokyo" In this film, it can refer to a large network of relationships between people, a large network of relationships that symbolizes the background of this era. Koichi lost his way because of his work, and went further and further away from his parents and children. Shijia also, in order not to affect the meeting and reduce his own burden, he entrusted his parents to Noriko, or sent them directly to the hot spring hotel. Jingsan thought that his parents were just passing by, but he did not expect that his mother was suddenly uncomfortable, which directly affected the day's work. , feel very troublesome. But the three children still hope that their parents are well, and hope that they can feel comfortable in this trip to Tokyo, but they are lost in Tokyo, and they can only comfort themselves that they must feel good.

People are actually selfish. The three children are constantly working hard for their own life, career and family. Facing the competition of development, their pressure exceeds that of Jingzi in his hometown. In Jingzi's view, they are indifferent. In fact, they are just Lost in the age of mechanical reproduction. As Noriko said, she is also selfish. As a daughter-in-law, because of her husband's death, her loneliness has made her stagnant in this "Tokyo". She is unique. Appearing, her sense of loneliness suddenly disappeared. She was willing to do her work in advance and ask for leave to go sightseeing with them. She was willing to make room in the crowded apartment for her mother-in-law to settle down. The mother-in-law who gave her short-term company, she thought that telling her mother-in-law that she was not such a good woman as her mother-in-law thought, she would lose the company that had just arrived, so she was also selfish. People are getting farther and farther from each other in the big net of "Tokyo".

As Zhou Ji and his friends said when they were drinking, desire will always exist, and parents will always have more demands on their children.

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Extended Reading
  • Kaitlin 2022-03-26 09:01:07

    Just watched it off and on last weekend. I feel kind, the dull elders who came from the countryside to the city, the children who are tired but calculating, and the story of a Japanese family is so similar to my own personal experience. The family members who died in the war and their children also gave me a glimpse, whether real or not, of post-war Japan and the life of ordinary people. A good work can always cross the barriers and make people understand it. People who have not seen the work and give it one star may not understand it.

  • Raegan 2022-03-27 09:01:09

    The most tragic scene in "Tokyo Story" is that the youngest daughter Kyoko sighed to the second sister-in-law Noriko: "Isn't life too disappointing?" Noriko replied: "Yes, life is disappointing Yes." In the scene that followed, Noriko bid farewell to her father-in-law, admitted in front of her father-in-law that she was not doing well enough, and cried bitterly. The famous American film critic John Simon commented on this scene: What is truly heartbreaking is Noriko's admission of her selfishness. If this were not the case, the self-denial of this pure man would be unbearably sad; if this were the case, even the best of men would be spoiled by the passage of time. "This is actually the eternal question of moral humanity since "Hamlet": what should a noble person do in the face of a despicable world? Where should he go? In this sense, Noriko's self-doubt shows that The identity of her female version of Hamlet, Hara Setsuko is Greta Garbo of the East, "Miss Hamlet".

Tokyo Story quotes

  • Kyoko: [after the rest of the family had left] I think they should have stayed a bit longer.

    Noriko: But they're busy.

    Kyoko: They're selfish. Demanding things and leaving like this.

    Noriko: They have their own affairs.

    Kyoko: But you have yours too. They're selfish.

    Noriko: But Kyoko...

    Kyoko: Wanting her clothes right after her death. I felt so sorry for poor mother. Even strangers would have been more considerate!

    Noriko: But look Kyoko. At your age I thought so too. But children do drift away from their parents. A woman has her own life, apart from her parents, when she becomes Shige's age. She meant no harm I'm sure. They have to look after their own lives.

    Kyoko: I wonder: I won't ever be like that. Then what's the point of family?

    Noriko: But children become like that, gradually.

    Kyoko: Then... you, too?

    Noriko: I may become like that in spite of myself.

    Kyoko: Isn't life disappointing?

    Noriko: Yes, it is.

  • Shukichi Hirayama: [talking to Tomi about leaving the hotel early] Anyway, this place is meant for the younger generation.