it seems that I am not disgusted with Lala, but I have always been very repulsive and resistant to gay men. But this time exception: Almodovar named his film "Bad Education."
It seems that he is still struggling to consider:
"I want to see how far you can go, and how much I can take."
What about the result of the test? Angel kept walking. And how much did he endure?
The truth is that Enrique can take it, like the woman who smiled and hugged the hungry crocodile.
Ignacio is also dead. He's gay, heterosexual, he's on drugs, he's misbehaving, and he's irresponsible to his family. But that's okay, he doesn't have to go to hell.
"I betrayed myself in that sacristy and lost my faith. I became fearless because I no longer believed in hell." The boy who sang Moon River with a beautiful voice, betrayed himself to protect his friends Ignacio!
I like the delicate shooting and the pop-style design; I think Almodovar is a film art director, and all kinds of good and evil are beautifully interpreted in the picture scroll of his life. Love the tone of the whole movie:
the gorgeous Zahara sings Quizas on stage like a real artist;
the beauty of scale of the array of innocent teenagers in white vests on the playground;
the boys jumping into the water to play along with the song; the
blue pool The red-edged chaise longue;
Ignacio's colorful paintings hanging by the door;
even the fleshly intercourse between gay men is beautifully shot;
Ignacio's letter: "Dear Enrique, I think I succeeded..."
and then die On the typewriter, with his love and dreams.
After the visit, the aftertaste is endless. . . . . . .
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