Once turned, it is one world, one life after another. Juan's, Manolo's, and of course Enrique's. Some people say that Enrique, as an artist, unraveled these stories, which is doomed to be cruel and tragic. Even if he knew the looming truth, he still guided him, because he knew that there was a kind of power guiding him and letting him go. He wanted to see what Ignocio had changed over the years, so much so that he was adamantly opposed to letting Juan play Zahara, because it was very different from the Ignocio in his impression, or because he couldn't accept that the bloody Ignocio in front of him could play Zahara. Writing himself as an ugly, drug-addicting, stealing transvestite…
In fact, it can be seen from this that art comes from life. Ignocio, who can write transvestites, is actually a transvestite. When she reunites with Enrique in the script, she imagines him as a married gay who achieves nothing and has nothing. In a circle of the same level as her, there are also drug addiction, theft, and unhappiness in life... But she did not expect that Enrique in adulthood is actually the opposite of what she imagined. She is already a famous director, and she began to pay attention to him. Everything, imagined writing a script for him, maybe standing in front of him a little better, so she wrote the script first, wrote her own story, comforted her former self, and planned to clean it up Everything started anew - detoxification, body building... and even began to threaten Manolo with 1 million as a source of funds. And all this, she didn't seem to take into account her family, her elderly mother and her younger brother who was in urgent need of tuition fees. Even though she had money, she did not show any filial piety to her mother, and even let the elderly aunt on the other end of the phone grit her teeth and say she stole my money. , and the benevolent mother did not forget to bring cheese to her two sons. This is probably the purest feeling in it except Enrique and Ignocio. This is probably also the feeling of Almodóvar's signature, which will always be unintentional. Or injecting pure and transparent family affection into us in anger, just like in everything about my mother, the second daughter deliberately passed the road where her father walks the dog every day on the way to treatment, and greeted with a smile... family affection It's always a part of us that we can't let go of...
Ignocio is looking forward to the day when Enrique writes back and tells him about the changes over the years, but before he can get it, he was murdered by his own younger brother. In fact, she lost in this thin family love, She doesn't care about Juan's tuition, and she turns a blind eye to Juan and Manolo. Even if she has been hurt by Manolo before, she doesn't protect Juan, which opens the distance between Juan and her. The maintenance of their relationship is entirely dependent on her mother. The cheese that was sent over was maintained little by little, so Juan felt that the existence of such a brother was worthless, or the cruelty of life made the brothers both only care about themselves, making Juan appearing as a brother after a lapse of four years. I feel so ashamed and guilty... But at the end of the show, I cried a lot, maybe after I finished playing my brother's transvestite, I began to understand his point of view, and my future life would be inseparable from my brother...
Enrique knew what was going on, but was four years late, he couldn't forgive himself, but he couldn't stop, just like someone said, he was the woman who hugged the crocodile, bit by bit by the truth It hurts, but I still keep kissing, hoping to find some solace from Juan, the taste of first love, but he doesn't want to take it personally to reveal the truth, just like Manolo said, Ignocio is not the one we used to love, it's the old face It's gone, we'd better keep our memories.
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