La mala educación
I'd say it's the closest thing to a perfect movie I've ever seen.
but why?
I want to try to use my own feelings about watching this movie and try to express the reasons why I have the "perfect" impression of this movie in my heart.
I personally think that this movie tells a story with a very strong conflict, a large number of conflicts, a very distinct character, a very intense emotion, and a very complicated plot from a nearly completely objective perspective. I think this is very, very remarkable, because most The influence of a film's lens on people is actually that a lens itself has a very clear direction. I hope you will make a certain impression. In theory, all these impressions can be described in accurate language with a little literary description (often this The emotional cues of such descriptions will also be very obvious.) If you think about watching every shot of a movie gives people a very accurate directional impression, then this movie composed of these impressions does not actually have What is the space for the viewer's imagination, because it is composed of the directional impressions that the director wants to make on you, like a novel about current affairs or inspirational, because of the continuity of its shots, I can even say it From a certain point of view, it is a function of a given corresponding law on the Cartesian coordinate system with a domain of definition. The lens is the abscissa, and the impression it expects to make on people is the value of its corresponding ordinate. The impact of the whole movie on people It is the image presented by this function. It is undeniable that the image itself may have very strong feelings for people, but because the impressions produced by its various shots are fixed, its overall emotion to people is like a fixed starting point and definition. Each abscissa in the domain corresponds to the end point of a continuous differentiable function with a fixed slope, which is a theoretically fixed impression. In my opinion, there is no room for imagination so that this kind of film cannot be called a work of art. It can only be said that it is a kind of self-expression of the director through the lens. They themselves hope to lead to a discussion of a problem, but they themselves have their own innate judgments on this problem or emotion. I think the 2019 Palme d'Or "Square" can very well reflect what I said.
The genius of this film is that its narrative makes the story feel like a work of art, because the story has no potential "comments" from the director, as if several characters with extreme personalities were placed one by one in an environment that allowed them to develop. A completed work has got rid of this innate "commentary", and the whole story is accompanied by a strong authenticity in a very dramatic situation, making it more like a drama in the form of a movie, people get rid of the invisible shackles of the director , they can freely and greedily feel the feeling brought to them by the current lens, but it can also continuously interpolate in the form of a movie, and enhance the appeal by changing the position of the camera to change the presentation of a scene. These are the advantages that drama cannot have. . As a movie itself, the characters are very well formed, the story is extremely compact, mixed with drama within drama, drama within drama, but it maintains the overall chronological order, the conflict is very strong, the emotion is very hot, the Spanish An air of passion and sensuality radiates from every character, every brightly colored item. This gives the film both the artistry of drama and the modernity of cinema.
At the end of this film, I think it is another wonderful place. It explains the follow-up of the story and the ending of each character in the form of pure narrative in words. How the images of these characters—a cowardly gay pedophile godfather, a rabid actor who unscrupulously achieve his goals, and a gay screenwriter who doesn’t actually take the relationship that seriously—directly and indirectly lead to Ignacio’s depravity and finality of death.
Summary: I love this movie so much, I love Pedro Almodóvar so much! ! !
Very happy, I feel that I wrote better than I expected at first.
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