After watching Almodovar's "Bad Education", I can't forget the director's eloquent and suspenseful way of telling a story for a long time. I can't forget that the director created a good-looking movie but at the same time created a Even better in the film, Rickel loved Ignacio since he was a child, but he and Ignacio were separated and never seen again until Ignacio's younger brother Juan came to see him impersonating Ignacio, he was confused, he was not confused by Whether Juan is Ignacio, but is confused by the truth of the year, the truth of the person he loves, if Juan is not, where is he? And their story is the best catalyst for uncovering the truth. As a director who pursues art, he must make this story. One is to create a movie that he thinks is good, and the other is You can find out the truth of the year. This is the combination of the virtual and the real, and even the relationship between Riker and Juan is also a combination of the virtual and the real. When art and reality coexist, what is art? Why is it real? Is the audience willing to indulge in those beautiful fictions? Or are you willing to face up to those harsh realities? This has always been the essence of the dream-making tool that film brings to us the most worth exploring.
After watching the movie, you will be immersed in Ignacio's innocent and heart-wrenching eyes when you were a child, but you will also hate the laziness and shamelessness of Ignacio when you are older, but when Ignacio typed "Rickel, maybe I will succeed. When the time came, that deep love overflowed the screen, that was their most sincere love back then. This sincere love has endured drug addiction, separation, and life and death. Yuanli's touching is really shy and regretful, and I can't forget it for a long time.
The true love after death has continued to give Rickel strength. This may be the last expression of loving someone.
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