It seems like I saw it a long time ago, but I just can't remember it. Could it be in Xiao Zhan's class? As we get older, "memory" becomes less and less resistant to scrutiny.
I hate comrades in real life, and I'm getting more and more powerless to refute this, although I have to admit it's bad behavior. But watching the comrades in Almodóvar's films, in addition to the real behavior that made me feel deeply uncomfortable, most of the time I felt the fiery overflow of large red blocks like overturning the palette. At certain stages, it also It turns into warmth and indifference. Perhaps Almodovar regarded "red" as the background color of his life, which could be either same-sex love or the forbidden blood that split Ignacio.
I can understand all of these, including why Juan murdered and why Enrique used Juan, because I can easily explain it as the greed of human nature, we live in the "world of life" and always ask the "world" for more . But what I've never understood is why same-sex love is so crazy? Why is the priest looking for the little boy? Maybe I'm too straight.
In contrast, "Who fell in love with him first?" "There are too many similarities with this film. But the introduction of wives and sons seems to make the whole world too beautiful, but the same-sex relationship is not pure enough. One film and one rehearsal, "in the name of love", Almodovar left the latter hundreds of streets.
"Moon River" now seems to be used in "Where's Mickey Going?" "It's really not suitable...
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