Can paterson be regarded as an experiment with many controllable variables, the distance, height, and width are all fixed, get up at a fixed time, and talk to the Indian brother who is taking over the shift, fixed the arc from the station, and the morning sun The shadows on the naked back of the wife (or girlfriend), the wine glasses at the bar, and the route of walking the dog. The director emphasized this point, starting from the name, emphasizing the sense of construction of the entire Patterson's life. At the same time, there are subtle branches. Different people are met on the road, and the same people have different, skit-style conversations. The ugliness of the lover vampire movie in the upper part is that he tries to talk about a social problem that he has no control over. The metaphor loses its power because it is too straightforward. On the contrary, everything was controlled, and only a few very small changes were allowed. The result was very good. The movements of the lens are almost all geometric shapes, repetitive, like children and old people with the same appearance constantly appearing. This kind of sense is no longer the sense of form that parted ways in "Outlaws". Jia Muxu is 63 years old, and I did not dare to watch his interview on "What Does Getting Old Mean for You". In short, I am happy that this Patterson is again Jamushu, a kind of awarkwadness, and a sense of honesty caused by a sense of formality. As for the secret notebook, what Jamusch filmed was not the adolescent reluctance to share in Salinger's "Secret Goldfish", but the secrets of each individual constitute a secret whole.
And, all the poems in the movie were written by Ron Padgett. I really like the poem he wrote about his lover. At the end, I have to add one more sentence, how embarassing, yes, we are indeed living in the era of Songtag "On Photography". What to talk about, we have to say, interesting, Not beauty. Lyric words are too embarrassing.
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