As the soul of the film, the mother is both a seeker and a hider of the truth. Her almost paranoid doting on her son made him overwhelmed. As a man, he was eager to prove himself. He didn't want to be a puppet, but after more than 20 years of "breastfeeding", it was inevitable that he would become a mother ideologically. accessories.
The son is the one who forgets the truth and the one who knows the truth. He understood his mother's intentions and knew that his mother would do her best for him, but what he most wanted to know was what his mother had done to him or for him.
A place to think deeply: the mother wants to commit suicide by drinking pesticides with her 5-year-old son, whether the son's mental retardation is also caused by the mother.
In terms of the plot, it is more inclined that the old man is also the girl's pick-up guest. In order to hide the dirty secret behind him, he says he is innocent. After all, the photos in the girl's mobile phone are irrefutable evidence.
In this day and age, everyone has some shame in their hearts. As a scapegoat for the police, a son can be convicted with just a golf ball, and a signature can be signed with a single violent threat. JP is a scapegoat for his son, just because he is also a mentally handicapped man without parents. Coupled with the resistance of Koreans to Japan, he has become a justifiable "murderer". Behind it is the discrimination and devaluation of vulnerable groups in Korean society and even in other countries, and they have also become the scapegoat of society." He is more likely to kill if he has a bad mind", "Everyone will kill, let alone him".
And the distance between JP boy and son is a mother.
Compared with "Memories of Murder", Feng Junhao fully announced the truth to the audience this time, which is equally penetrating and shocking.
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