Most of the time the director's shots are slow-paced, moving in a soothing way, and there is a surging forward force in the tranquility, which is as unhurried as the flow of life. In stark contrast to the shattering, clamoring, shaking, and freeze-frame footage when people are mad, who is the man who is furious? Not you, not me, not anything. The video says so. The director tells us with the music and the camera that return to calm every time, what supports us moving forward is the inner positive and beautiful human nature, and the outer violent is just a temporary episode. As people's senses are stripped away again and again, the core of life is gradually revealed and becomes the focus of the viewer. The impact at the beginning of the film is not there, it is developing towards a more and more simple and pure direction, and the lens is becoming more and more simple. The focus that leads the audience's attention is love, love and hope from the heart. In the end, we embraced in the dark, the outer world was completely closed, and we only had each other and only our inner feelings.
People are born to death, and it is death that defines the existence of life reflexively. Similarly, the disappearance of feeling also defines its existence, the memories and surging emotions buried behind the existence. When the end is destined to come, when the world is in pieces, when the senses are not there, maybe only the feeling buried deep in the heart will not disappear, and human nature cannot be erased. This inner strength will always support this outer life to go on and on. A seemingly pessimistic sci-fi film, but full of hope to the extent of beauty.
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