Everyone has a weak side in their lives. In the face of self-interest, people's weaknesses are often exposed, but it is obvious that Otilia is more willing to give. She is not a born warrior, she just doesn't want to bow her head in front of human nature, but kindness without edge is just a bottomless pit. The dreary long takes, the bleak dark tones and the massive central composition make the whole film extremely depressing, and the characters in this design are more like being thrown into the endless turbo and suffocating. Otilia's selfless dedication made her an accomplice in killing her life, which also became a permanent shadow in her heart. The child died three weeks and two days in April, but she still lived in every life after the two of them. Second. Gabita's selfish and foolish actions and Otilia's benevolent devotion will make them contemplate their lives for this. The elders' rhetoric and her boyfriend's evasive remarks are the ugliness of human nature that are constantly putting pressure on Otilia's kindness. She can endure it, but at most a few complaints and one person's tears. In the face of desire and bad luck, no one can escape the weakness in her heart. When she is looking for a destination with a dead baby in her arms, she is also doing cruel things because of her kindness. The result of selfless dedication is silence and escape at the dinner table. The film came to an abrupt end when it came to an abrupt end, drawing a dark cessation of all encounters. In the end, Otilia's encounter was a hollow, sinking like a dead body.
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