Every picture is picturesque.
Even Keda is really beautiful.
Such a prehistoric story, no matter how it is interpreted, should not be interpreted with values that cast any time space. Only when we stop and watch, can we feel some things that we may or may not understand today. If this is not the case, in the near-final segment, some scenes will almost be misunderstood. For a moment, I feel that there is an element of animal love in it. However, that's not what it means. That period of honing to the end of the blissful period does not necessarily emphasize the "love" or "love" between a living body and another living body as we think today, or that it is not the case at all. Rather, it embodies the process of detaching itself from other things in nature and establishing a relationship as early as the beginning of human civilization. For example, in the movie, the tribe's awareness of responsibility, awareness of inheritance, death, survival, and even a trace of human beings and other races in the coexisting world are beyond the distinction of strength and weakness. It is the trace of civilization.
Movies of the same type and sympathy that I have seen before are like The Jungle Book, Rampage, etc. However, those are faster-paced, and there are many collisions between pictures and characters. Alpha is presented quietly, allowing people to contemplate in a state of sensory relaxation.
This is a movie that needs to be released to accept. Only in this way, those pictures can not be said to be just beautiful, but they are the frozen frame of beauty.
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