Everyone is talking about euthanasia, but I think the main focus of this film is not the sociological issue of euthanasia, but the fatalistic level of life and death. The last scene is supposed to suggest the replacement of psychic "criminals" who have the ability to foresee, obey the arrangements of fate, and execute them with a fatalistic fraternity, discerning good from evil, life and death, Adam and Eve's original human sin converted into resistance Religious ruthlessly repressed pursuit of freedom.
The actors' performances are very natural, and the few gags are really cold and humorous, and the indescribable feeling of nondescript may be mainly due to the fact that the high-intensity Chera is too fragile and needs a little junk food to fill it. The overall feeling is The center of gravity is unstable, like a racing car slams into a sudden brake and finally brakes.
As far as the score is concerned, I hope at most 8.2. It can't be higher, but it can't be too low. Anyway, the clues are very smooth. Although the picture stitching is relatively tough, they are always in harmony with each other, and there is no out of tune. , except for those few gags like "requesting" you to smile and not be so nervous. . .
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