How much I like it, I see the photographer in front of me taking pictures, I feel avant-garde and fashionable, I see a woman wearing a plaid shirt and a black silk scarf and a hip skirt coming to the studio, and she is sexy and testing intimacy and alienation. I feel like it is the first time I fell in love with a film and television work. The man in here, yes, maybe it was because he liked actors and characters before, but I know this time is definitely different from before. He is talented and proud, with taste and original intention, art and pursuit of art, his appearance, every move, his work The way he looks, the way he speaks, the way he talks to people, and the way he interacts with people, all penetrate the reality of the screen, making people think about it, especially the whole scene of the two in this space, he is serious and erotic, and the relationship between the two is also Alienation and intimacy, danger and ambiguity, there are subtleties between advancing and retreating, from entering the house, handing her a drink, she couldn't help laughing twice, but she quickly reacted, she took off her clothes, and he said put it on, I'll give you the film, She got the film, wanted to leave, turned back to kiss, turned back, hugged each other, and threw the film to the side of her clothes... This is not a dangerous relationship, an ambiguous reality. No wonder I like it... I'm also a photographer, I just want to do photography.
At the music scene, I was so distracted that the virus spread in high-density space without wearing a mask... I thought of watching the flashing star in school... He desperately grabbed that piece of guitar, and threw it away after escaping the chase. The guitar was in There was a cheap plastic noise on the ground, and passerby A next to him picked it up, looked at it, and threw it again. I really want us to pick up a junk on the street that someone else just threw that doesn't look like garbage, haha.
Another Antonioni with no ending. I seem to be inexplicably fond of movies that don't have a closed ending and don't follow the traditional dramatic structure. This is the case with "Nobody Knows" and "Spring Tide". Movies are a part of life, a part of life. , Who knows from which point to which point, so there may not be a complete ending, things may not be resolved, even the whole life may not be resolved.
I deeply feel that it is really a disaster for an uninteresting person to talk about history. In the film history class, how can you not want to get distracted by the "boring" process of how he zooms in on a photo by himself! Those who fell in school can't escape to make up after all, but they are happy. When I first started to study movies, I failed to watch it widely, choose what I liked from the vast sea of movies, find my point of interest, and the fulcrum for which I am willing to study hard and even pursue my whole life, so I got to this high level. The esoteric post-phase oh film history is really useless and hurtful...and regrettable afterward.
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