Some of your own ideas are welcome to exchange??
The second brush enlargement? The first time I did not have subtitles to show me the unpleasant second brush master's work, some new ideas, just from the male protagonist's point of view. As a middle-aged mod [Wangchai] After enjoying the fruits of industrialization, I began to pursue myself in a dream Pursue the "murder truth" and return to reality from the dream and start to move from reality to nothingness. What can't be seen with the naked eye is real, so is it real under the camera? Director An also questioned the work itself haha, but it is true that the whole work is a semi-finished product. Whether our thinking about the film itself is originally nothingness, some controversial clips, and some shots that jump out of the film itself, why are the master works? Thinking itself has already indicated one of the fantasy journeys of the livehouse. I think the bass itself represents the desire in the world. When there is no desire, the crowd in the audience appears dead and the male protagonist jumped out of this group and got it, but found it. It is meaningless when it leaves that environment, and it is directly discarded and turned to the pursuit of "truth". It is like the experience of two models in the movie "sending a gun a thousand miles away". Time begins to start the pursuit of "truth" again. Maybe life is like this film, which is constantly changing between the pursuit of desire and the truth.
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