The most beautiful of the whole film is the harmonic version of "Ave Maria" that appears many times, but there is not much background music, so while highlighting the Ave Maria, it also emphasizes various ambient noises, loudness and The noises with different levels of noise naturally conform to the rhythm of the dialogue and cooperate with the awkward scenes to create a very three-dimensional tension and restless atmosphere. In this atmosphere, it becomes logical to discuss "how to deal with this trouble (finding a cell phone, apologizing to the little boy, solving the YouTube video problem, and letting the woman who just fucked up) be the best way." The source of these problems and the evaluation of these problems and the ways of dealing with them from the perspectives and values of different people are more serious. At the same time, in the switching of each scene, the director inserts all-pervasive mockery of modern civilization, Nordic-style, untouchable mockery, using a strong contrast of responses, taking the cowardly protagonist as a microcosm of modern people, reflecting the Human indifference and selfishness are becoming more and more serious, and the director is undoubtedly extremely successful in this regard.
I still don't want to continue talking... I'm so sleepy... I just really like the various shots of the movie, from the charming "square" theme of the theme to the dreamy color in the garbage dump at the end, it definitely deserves five stars. But I especially don't like to think about the topic of "what is the upper limit of freedom of speech" with the protagonist when they are made a little impetuous by the slightly complicated basic framework. Too much talk of politics undermines the coolness of Sweden.
It may be the tip of the iceberg, it's hard to imagine what happens when a woman is actually pregnant...
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