thinking about war

Linnea 2022-04-20 09:01:47

It is really surprising that this movie was shot in 1930. To borrow a sentence from the comment area, the real treasure is that such a movie appeared in such an era.

At the beginning, the scene of students singing in groups across the city wall reminded me of the scene where Mao Runzhi and his classmates were having fun in the rain. They used to be full of ideals, full of ambition, longing to enter the battlefield and become the pride of their parents. On the training ground, they have not yet felt the cruelty of the world, and the biggest enemy is only the selfish instructor. But when they were about to board the train, facing the wounded on a pair of stretchers that got off the train, they had a slight glimpse of the fear of war.

Although the performance of war scenes seems to have a "magic drama" feeling due to technical reasons, the cruelty of war is fully expressed from the characters and life scenes. The corpse rat who watched the corpse scrambled for the living space in the artillery fire; after the enemy's gas attack, Muller stumbled into the pit and was poisoned by the residual gas; the rehabilitation hospital moved the seriously wounded to the death room due to insufficient beds; Kaczynski, the good-natured squad leader, was hit by a cannonball while trying to find food for the younger and younger recruits; while in the bourgeoisie, in the tavern, the talkers talked about how to counter the French, in the campus , The teacher is proud of the students going to the battlefield, and even the father of the protagonist Paul wants to have a son who goes to the battlefield to save face in front of his friends.

Under the shadow of war, anything related to beauty is out of place. At the end of the film, Paul tries to draw a butterfly parked in a trench, and the battlefield left him with a shuttle of bullets. As he once questioned, why fight? Every era has people thinking, and has the war really stopped? Hasn't the life and death of the people always been coerced by the interests of the country? Under the fanatical national sentiment, once instigated, will people's reason still exist? Or become the silent majority who dare not fight for their rights and go with the flow?

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Extended Reading
  • Kirstin 2022-01-03 08:01:12

    1930 classic anti-war film adaptation of the novel of the same name. The faithful original of the film describes the process of a group of young German soldiers participating in World War I to their death. The cruel battlefield and the social environment at that time deeply reveal the cruelty of the war and the destruction of humanity. It can be called a benchmark for anti-war films. After the Nazis came to power, Germany's ban on this film illustrates the excellence of the film from another angle.

  • Deangelo 2022-01-03 08:01:12

    8.5 Considering the era of this film, this work deserves to be the greatest anti-war film adaptation of Remark's novel of the same name. In addition to the repulsive acts of war and absurd patriotic education, what I remember is that The robes of Paul and Kaczynski are ironic that it worshipped the war and was ruthlessly taken away by it. In addition, the scene where Paul returned to his hometown in the bar surrounded by the Minke generals at the back reminds me of the forgotten soldier. People who have not experienced the baptism of war in World War II memoirs will talk about war as a trifle, and for those who have really experienced war, everything about them has been changed. Just as the original said-the times are burning. My soul has gone out. I hope to have a German version. After all, there is still some sense of violation when watching Americans play the German army.

All Quiet on the Western Front quotes

  • Ginger - the Cook: [looking at soldiers lined up to eat] What do you want?

    Katczinsky: Beans, you homely-looking son of a frog's leg! What do you think I want?

    Ginger - the Cook: [the men shout that they're hungry] Shut up! I'll feed you when you're all here.

    Tjaden: We're all here now!

    Ginger - the Cook: Only half the company's here. Get the rest! Wake 'em up!

    Katczinsky: [the men laugh] I wish I could wake 'em up. There's 80 of us left. The rest is in dressin' stations or pushin' up daisies!

    Ginger - the Cook: [shocked] 80? And I cooked for 150!

    Westhus: All right, we'll have enough for once. Come on, dish out!

    Tjaden: You mean you've cooked beans for 150?

    [the cook nods]

    Tjaden: And you've got bread for 150 and sausage for 150 and tobacco for 150?

    Ginger - the Cook: Everything. It's all wrong. I should have been notified!

    Katczinsky: What a feast! Everyone gets two issues!

    [the waiting men shout]

    Katczinsky: [trying to keep order in the ranks] Get back in line! Get back in line!

    Ginger - the Cook: Oh, no, that woun't do. I can't give 80 men what's meant for 150.

    Katczinsky: [he starts to punch the cook but thinks better of it and tries to be persuasive] Listen, you drew rations for the Second Company, didn't yuh?

    Ginger - the Cook: Yes.

    Katczinsky: All right, we're the Second Company!

    [the men shout]

    Ginger - the Cook: I got my orders.

    Albert Kropp: [agreeing with Kat] That's right.

    Paul Bäumer: We're the Second Company and if only half of us get back, that's our good luck. Come on, dish it out!

    Ginger - the Cook: [the men shout] No!

    Katczinsky: [grabbing the cook by the throat] You're the yellowest baboon that ever drew a cook wagon, and you're scared, and it shows! All we want to hear out of you is one more little yip, and we'll cut yuh up and eat you raw! Why, you keep your kitchen so far back of the lines, we never get anything to eat until it's cold and we're asleep. Now, you low doen rat, get out, or we wreck the joint, so help me!

    [the men shout]

    Katczinsky: Come on, give us some food!

  • Tjaden: There used to be some food in the sawdust. Now it's all sawdust.