November 23, 2017

Davon 2022-04-19 09:02:17

Thanks for the recommendation, it really looks better than yesterday.

1. Strong empathy. In fact, in terms of character design, the teacher of "Dead Poets Society" is obviously more attractive, but his charm is like a castle in the air, and there is basically no event to pave the way. There are only superficial characterizations such as standing on the table and tearing off the preface. He didn't seem to have anything particularly profound with anyone. In "Spring in the Cattle Class", this teacher happened, and many of his events made people feel good about him. The story itself is also very empathetic.

2. Although the empathy is strong, in fact "Spring in the Cattle Class" doesn't say a lot of substantive content, and its story connotation is even less than "Spring in the Cattle Class". Although it was mentioned at the beginning that "someone committed suicide in this school", it didn't actually show a lot of things in it (or maybe I was too demanding for works on this subject). Maybe it's because this movie is too cute, I feel that no one in it is particularly bad, even the principal is understandable, and he has been soft in the middle, but he still chose to be a realistic adult, which is understandable.

3. Although I don’t think its expression is deep enough, maybe this is the best ratio for a work: 70%~80% of common feelings based on the story + 20%~30% thinking. Too much thinking will not be accepted. If you want to express more, maybe you can work hard in the direction of "white space". "I haven't taught any major truths, but I have taught all major truths. As much as you have in yourself, you can see as much from me."

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Extended Reading
  • Irving 2022-03-27 09:01:11

    The plot is very old-fashioned, and it can be said that it combines all the elements of this type of film: rebellious children, murderous teachers, wrong education, newbies, beautiful mothers or handsome fathers of children, and music and finally justice. . is enough. The most worthwhile things about this movie are the nice French songs and the lovely children.

  • Taryn 2022-03-27 09:01:11

    At the age of 14, Jean-Barty has various similarities with angels, and only a character from a children's choir can play such a role. The whole film follows the clichés and intentions of European-style popular non-literary films. The music is much better than the film itself. As for the suspense of the final reveal of the diary, it can be guessed at the very beginning. From the fact that the violent baritone problem child went to prison, it can be seen that the relationship between the teacher and the mother, the mother and the engineer will be a sign of death.

The Chorus quotes

  • Pépinot enfant: I don't know any songs.

    Clément Mathieu: Well, I'll teach you some. For the moment, I'll name you assistant choir master.

  • Pierre Morhange: What about the solo?

    Clément Mathieu: Which solo?

    Pierre Morhange: My solo.

    Clément Mathieu: Oh. Your solo. No, there's no solo. You don't have a bad voice but no-one's indispensible.