One is the completeness of the logic line.
In fact, a very important viewing point for this kind of cyclic film is the entire logic line, especially for a paranoid like me, even if I watch it for the first time, I will definitely Take note of each step little by little. Because things happen on the same day in time, there is a very clear portrayal for the audience. But what I don't understand the most is probably the bug, why the third male protagonist can let the girl pretend to be his wife to protect her, but when he knows that the car accident can't kill the second self Still no change. After all, he didn't know at that time that the girl would show up to find him. But I selfishly think that the ultimate goal of the male protagonist is to save his wife, but when he was the second self and found that the body was gone, he knew that the girl was pretending to be dead, so he took a risk.
Other than that there is little oddity in the logic written down at the end. This is much better than the Horror Cruises I've seen before. The pounding of the countless corpses on the deck in Horror Cruises isn't well captured in this film, but it's a good one in terms of tension.
The second is the background music of tension.
In fact, I have always paid little attention to background music, but there are several obvious points in it that impressed me deeply. One is the nervousness of running along the street lights, the second is the uncle and the girl walking in the mountains, and the third is the nervousness of the third he and the second he are in the room at the same time. The tension was well rendered with the music, so I was very impressed.
At the beginning, I didn't understand why he wanted to go into the mountain. When I finally read the introduction, I found that it seemed that I had missed the male protagonist. In fact, I saw a naked girl with binoculars. Now think about whether this movie is a tragedy caused by the lust of a middle-aged uncle.
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