"The Pianist at Sea" Viewing Experience

Trudie 2022-04-22 07:01:34

I love beauty, and at the beginning of the article, I couldn't help but shout out my love for beauty. To say what I am most proud of is that I have always felt and grateful that God has given me a little more grace to find beauty in every place and time. I have always felt that a girl should be like water, clear, clean, soft and comfortable, but she is the most tenacious in the world. The hard steel is easy to break, but the gentle flowing water is constantly chopped by the sword. Either quietly, or with a bright flowing sound and a happy singing, she collected the scenery along the way, whether it is a sunny day, a blue sky, beautiful grass, or a cold night, withered trees and crows. Her Shui Zuo's heart was filled with softness and open-mindedness. Speaking of which, she is enthusiastic, she is pure and transparent, and does not reject everything she encounters; speaking, she is also indifferent, only reflecting everything on the surface, the water flows forward, and life moves forward, and every moment quickly becomes In the past, stay in place and become a sparkling lake, what is carried away with the water?
I always thought that I could be as peaceful as a lake. After graduating high school, I confidently said to my mother, "I'm not afraid of going anywhere. As long as I love and work hard, everything will be beautiful." Soon, I knew it. How ill-prepared you are for life's challenges.
A girl who came out of a small county without a decent movie theater actually chose a film and television editing and directing major that she didn't know about before. At that time, the teacher would always repeat, "Do you know director XXX?", "You don't know XXXism?" (shaking her head in disappointment), and after class, she began to watch the movie full of moans of life . On the one hand, she is afraid that she does not know anything, and is afraid of the challenges of new machines and new software (this really makes her very anxious), on the other hand, she experiences the life of the characters in the film with her own sensitivity, and there is always something going on. hit her. Only later did she learn to remind herself that films or novels are mostly painful representations of life. Although she believed in the reality of that experience, because she could really feel it, who said she had to experience that experience? What's the truth? When the teacher started to promote a lot of movies in the name of opening the students' horizons with great fanfare, she posted her newly learned label-"postmodern" one by one on these movies.
Yes, she felt that after she came to the magic city, the gossip about the city in the books and movies became real. It turned out that the language (whether text, music, or pictures) that described how to worship objects, how much interpersonal estrangement, and how much confusion survived not only It's just a feeble accusation from sensitive literati and artists. She used to dislike people who spoke such words, and felt that it was bad, even a kind of bad, that they were spreading a sense of sadness and decadence, and she was immersed in this dizzying air like opium. ! And most of the books she read at this time were existentialist and postmodern thinking, and she was deeply immersed in them, so that everything she read felt a little empty, a little anxious "sad". She doesn't want the decadence of college, but she doesn't know her goal, and the future is waiting for her to choose, which is unknown to her, what strength she has and full of confidence, saying "this is the path I want to take"; what does she have? Momentum to walk away with joy? The stones that life throws at her this time have not only caused ripples on the surface, but the values ​​deep in her heart have been turbulent. For her, this feeling of nowhere is the "unbearable lightness of life". She needs a little weight, a little goal, and a little confidence to make herself feel down and walk safely. But she was really hesitant.
Wang Shuo wrote in the opening chapter of "Ferocious Animals": "I envy the people from those villages, and in their memory there is always a hometown with a lot of aftertaste. If they want, they can imagine that some of the things they have lost are still reliably stored in the hometown they don't know about." I also have such a hometown, in fact, she is quite beautiful, her name is Zhoushan Islands, no matter how precise One point, she is a place that is too small and too beautiful - the Shengsi Islands. During the winter vacation of the first year of college, I came home with my disappointment in the city. The first night I slept at home, I felt that my home was really beautiful, and I was really afraid of that big city. On the first night, I lay in bed and watched a movie quietly. Unexpectedly, for the past two or three years, I have been obsessed with it, and it has even become a force to comfort and motivate myself. It is "Sea Pianist".
"The Pianist at Sea" tells the story of a pianist named "1900" who never left the giant ship Virginia, never set foot on land in his life, and was finally buried with the giant ship on the seabed. Some people say that the music in this film is superb. As a pianist, 1900 played a melody with distinctive personality, or he was uninhibited to the world, or his affection for the person he loved was sprouting, or he responded to the sea. And, are exquisite works; some people say that this film reveals the meaning of loneliness, although we have a more effective name than 1900, we have our own relatives and friends, social circles, and houses on land for us to live in , But no matter how prosperous and noisy the world is, people seem to be on an isolated island, and life is like wandering on the endless ocean, but the lonely 1900 is better than the lively crowd. He is full of inexhaustible music inspiration. There are countless talents and countless flowing notes, which are enough to give him a sense of belonging, let him not tire of life on board and die quietly. However, what touched me by this film, and the strongest feeling that gave me at that moment, was 1900's fear of the unknown.
When 1900 tried to walk down the stairs and land on the land, he looked at the high and low buildings on the landing ground, which was a world he was not familiar with, "Going ashore, where do you go? . Love a woman, live in a house, buy One piece of land, one view, one dead end. There are too many choices, I am at a loss, endless, endless." Listen, how different from his confidence when he played the piano, he stopped in front of the unknown world. "I stop, not because of what I see, but because of what I don't see. Do you understand? It's because of the unseen. The endless city has everything, but the end, there is no end. I can't see the end of the city, I need to see the end of the world. Take a piano, for example, the keyboard has a beginning and an end. There are 88 keys, yes, not infinite. Music is infinite. On the keys, there is infinite music. I like that, I I can handle it." I felt he was talking about my fear, wasn't I facing too many choices and unknowns at that time? Big cities are big, I know I can do whatever I want, and there are resources there, but on the other hand, big cities make it difficult for me because there are so many choices. Some people keep scolding how bad "exam-oriented education" is, but we miss those bad days, because at that time we had clear goals and no distractions, and everyone accompany each other to move towards the same goal. Now, going abroad, postgraduate entrance examination, employment , messing around, all kinds of people have all kinds of lives, all kinds of people walk on all kinds of roads, they can see each other but can't touch each other; our information choices are also bursting; the Internet is like a pair of scissors, like trimming Like a lawn, all kinds of information are shaved into pieces and uneven, like a sky full of broken grass. We think that we will return with a full reward, but in fact, it is just an irrelevant fragment. The value of each blade of grass has long been diluted and then diluted; Our thoughts have also become mixed, and everything has become unclear. There is no God and no "I". In the mobile modern city, groups of people are sluggishly flowing with stacks of condensed but chaotic concepts, and they don't know if they are moving. , perhaps constantly struggling with the probe in the mud, breathing fresh air.
"The Pianist at Sea" is like a sick neighbor comforting me with the big hand that tolerates everything. I have to combine Zhu Guangqian's aesthetic thoughts to explain why it moved me so much and how it moved me so much.
Mr. Zhu Guangqian changed from "beauty is subjective" to "the unity of subjective and objective", and said: "beauty, half in things; half in you". This film is obviously beautiful in itself. The beautiful music, smooth pictures, and the melancholy and mysterious eyes of the protagonist, along with the emotional side, all make it extremely capable of arousing the audience's senses and minds; How could it move me so much and make me feel as excited and grateful as if my friend saw through my heart? I always feel that an aesthetic process is a process of understanding. To understand something is not to be able to define it or to describe it, but to take this thing we think we already know, make it unknown, and arouse our understanding of it. the freshness of its authenticity, thereby deepening our understanding of it. "The Pianist at Sea" deepened my understanding of my situation and took care of myself in the images, so it has a profound meaning that I can remember to this day. From this perspective, it looks like a fuse that detonated my inner emotions. If the fuse didn't work, or if I was an insulator, there would be no sense of "beauty" anyway.
The beginning of winter has just arrived, and the noon sun is no longer blazing. Outside the window, the golden sycamore leaves rustled. I really hate to think of them as mere physical wiggles of leaves under the action of the wind. Maybe it was the soft yellowish light, maybe it was because of the windows, so I couldn't hear the cold wind outside, but I could only see the silent appearance of the trees in the distance. Waving a small hand, even in the cold autumn and winter, it is full of dynamism of life; it seems that the stars are twinkling. At this moment, I feel really beautiful. I am grateful that I have passed through that confused stage, and now I am full of confidence and joyful appreciation of life.
I have to say that feeling beauty is actually because we are passionate; feeling beauty is actually because love is flowing.
(just homework)

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The Legend of 1900 quotes

  • 1900: Land? Land is a ship too big for me, it's a woman too beautiful, it's a voyage too long, perfume too strong...

  • 1900: [after his grand finale on the piano, he lights the cigarette on the strings of the piano, walks to Jelly Roll Morton and says] You smoke it.

    1900: I don't know how.