Stormy nights, swaying, turbulent, the scenes that ordinary people would panic about, are his stage. He was the only, best pianist on the boat, the world was so big, the world was so small, and everything was under his fingertips.
It's just that the world next to the side of the ship under the stairs is unfamiliar to him. He was not sure whether he was familiar with the bumpy body and whether he could adapt to the smooth land; he was not sure whether the kingdom he had mastered could still survive on land.
Even with the possibility of a wider musical wing, or the peaceful bliss of being on land with the woman he loves, he ended up staying on board. The boat is where he was born, where he grew up, and where all his touch is.
Perhaps his inspiration came from the swaying hull, and his fingertips became more dexterous due to the ups and downs of the waves. His soul and talent are like pearls, and the boat is his clam shell.
So for him, being "on the ground" is terrifying. The vast continent lies in him, a place beyond imagination. He was reluctant to land because he belonged to the ocean, not the land that most people aspire to.
So he stayed on the small hull in the waves, content with the small stage on the ship. Others may regret it, but he is, seeking benevolence and benevolence.
View more about The Legend of 1900 reviews