While writing, organize your thoughts, my mind is very confused now.
Before watching the shape of sound, someone told me to pull it, and the ratings were also polarized. At that time, I thought, where can Jingani's animation be pulled again.
The results were really eye-opening.
First of all, I like KyoAni's animation very much, and secondly, I am a healthy person. If the following comments offend KyoAni fans or disabled people, please tap.
I haven't found any problems when I watched it. At most, I have some doubts about the shaping of the main characters and the loopholes in the plot. I am still a little moved. But after reading it, it gradually felt wrong, because I found that it was really ravaging my three views. Jing Ani was originally good at making youth-themed works. Unexpectedly, Jing Ani moved a lot of in-depth themes in the shape of sound, but the result was only to make them a foil for youth. Disability, school violence, suicide, group violence…Which topic is not worth discussing in depth? The title of the movie is the shape of the voice, right? I think the production team is sorry for the name. The perspective of this film is the male protagonist Ishida (stable person). Most of the psychological description and plot arrangement of the whole film are given to Ishida, while the disabled female protagonist Nishinomiya is left aside. The whole film has a little psychological description of Nishinomiya. ? I did not see it. Nishinomiya exists as a tool to promote the plot, and the character design cannot be shaped at all, and it is flat to the point where Erxiang Foil calls the expert. The only reason why she did it was her innocence and kindness... The production team packaged it so beautifully that I didn't notice the most fatal problem in the whole film just after watching it. And some people still feel very good and moved after reading it. I feel that these people's values may be a little dangerous. You are so moved after watching it, you are just touching yourself, it is called hypocritical, and the tears you shed are indescribably cheap.
For disabled people, this is undoubtedly the teasing of the arrogant.
Telling stories from the perspective of able-bodied people seems to be able to move most able-bodied audiences, because many able-bodied people do not understand the psychology of disabled people. The production team used this to make touching stories. Frightened.
This is just blindly covering up and evading the problem. The conflict was aroused by the tool man Nishinomiya, but has it been resolved? No, I only saw one woman said a lot of beautiful things and another woman said a ばが, and then the world was beautiful again, and everyone was redeemed for each other.
The production team fooled around with this basic question, and wrapped it up with rhetoric to make the audience accept this kind of distorted values. Is it scary? I am also one of the victims.
Not to mention whether there is a situation where the bullied person likes the abuser (this should be called a hostage complex, right?) It is really incredible that the heroine thinks that being abused is all her fault (weak hearing). No matter how much analysis, the role of Nishinomiya is really untenable.
No one has changed in the whole film, what should be done. The inexplicable suicidal behavior of Nishinomiya in the middle (you have no foreshadowing in front of you, right? Your perspective is all given to Ishida, how did you set the ground hhh) It is even more incredible, just because the heroine committed suicide and the hero went to save the hero. Silly viewers naturally have the idea of "this time the male protagonist should be forgiven". You didn't address any issues of disability and school violence, you just said "hehe, it's over" after toying with the audience. The distorted values brought about by this kind of bullshit plot can only rot in the hearts of people who have nothing in their hearts.
Every able-bodied person who accepts this value should feel guilty about the real disabled person. After all, we unconsciously and arrogantly tease disabled people.
I have always liked Jingani's animations, but this time the swordsmanship was a failure, completely.
I hope that more people, like me, don’t scold when they see a bad review, and learn to criticize and reflect to go further.
I've always liked KyoAni (excluding the shape of the voice)
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