Regardless of the main line, we have to look at emotions. The only emotional conflict in the film is that Mammoth Manny does not want his daughter to marry and hopes that she will stay with him forever, but even such vulgar emotions are not contagious. Because there are too many characters in the film, the original three protagonists are full of wives and daughters, and they are bloated. There are nearly ten protagonists alone. They are all faces that are hopeless and only want to mate. In the protagonist's role, there is no priority at all, and his hands are in a hurry. The effect is that the children are long-term, and the hero is short-spirited. For a while, the mother portrait showed Manny's daughter the hardship of raising children to scare her not to get married. On the other hand, Manny played a hockey puck with her son-in-law. Hey, the earth is going to be ruined. What's the shortness of your parents? However, this is still a little plot in the film, and the rest are all absurdities drifting away from the main line. Three idiotic villains suddenly appeared in the middle. Their goal is to hope that the meteorite can turn the surface of the earth into a sea of flames, so that the sky is theirs...Oh my god, kids, have you heard what they are talking about? The funny thing is still in the second half. The movie is almost over, and there is a big wave of supporting characters. Among them, the yoga alpaca is completely imitating the yak in "Crazy Zoo". This large group of ebony supporting characters leads to some The other characters disappeared while the characters were acting, how about people? People?
Although the characters in this film are rich, there are only two personalities, one is the fake seriousness of the mammoth and the saber-toothed tiger, and the other is the monotonous neuropathy. The animators obviously found a sense of control in this pale story, Sa Huan It's like a show off, making each character feel like ecstasy, desperately tossing, just like the crazy version of "Cat and Mouse", with low-level tricks and clown jumping off the beam. What’s even more devastating is that in the 90-minute movie, within 85 minutes, the characters kept talking in dialogue, and all the dialogue was complete nonsense. There was not even a tickling sentence. You can see these twenty or thirty. The number character jumped around, chattering like a dislocated jaw, and taking turns convulsing like Zhao Si in "Country Love". Everyone takes two minutes, and this piece is almost full. The rest of the plot I just gave it to the squirrel who robbed 5 movies but didn’t grab the pine nuts. This Zhongqiao section was very interesting to watch a few times. After watching it dozens of times and repeating it again and again, wouldn’t he let him lick it?
There are deep emotions in the first part, thrilling disasters in the second part, and funny adventures in the third part. Although the series has been on the slide by the fourth part, it can still maintain a basic quality. , I didn’t expect this film to fall apart. There is no story, no characters, no logic, and even the scenes are boring. Even the cleverness of the first few movies is reduced to a street monkey. Being able to pretend to be crazy and be stupid, turned the thought-provoking subversion into a farce like a god-jumping, this is not imagination, this is a pot of porridge, and the blue sky studio is really unrelenting in ruining its own masterpiece.
I just watched the amazing "Bourage 5" and watched this again the next day. This feeling of drop is no less than bungee jumping. It happened that the child in the back seat was kicking my seat from time to time during the filming process, which was a double torture both physically and mentally. . After watching this movie, I have an open tolerance for Chinese animation.
Well, in fact, this movie is not useless. "The Squirrel Gravity Scene" is interesting to watch alone, but unfortunately the movie can’t be watched alone. The second advantage is that it urges me to write a story after I haven’t written a film review for a long time. .
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