The three plot points are arranged in a staggered manner, each of which has just the right foreshadowing Biographical films either restore historical facts, such as Natalie Portman's "Mrs. Kennedy", which is dignified and plain; or there are relatively artistic changes that make people misunderstand and disengage from facts.
I don't know the whole story of the unfortunate wildfire in California, but this "Go Forward" gave me real humanity, the surging surging of being in the fire and the lofty ambition of the martyrs to fight the fire.
I remember a couple of really great shots. The first is the headquarters of the granite hot shot. The distant mountains and the sea, the simple blue house. The second is the captain and his lover embracing in front of the windowsill. The households are bright and clean, and the beauties depend on each other.
The third is the last team member to sit alone in an empty carriage. The sadness is beyond words.
I remember saying something when I watched a Disney movie before.
Every frame of Disney can be seen as a painting.
The same applies here.
In order to pursue the best light and shadow effects, I think the director put a lot of thought into it. Presented to me directly shocked, desolate, lonely, warm, tragic.
After being deeply shocked, I fell in love with this movie.
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