Heaven? hell?
This is how many bad stalks used in the film!
In the pursuit of visual effects, Heaven is so clean that there is no end to minimalism. Angels are as white as in oil paintings, or like saints, and are equipped with a pair of wings that fly quickly.
Hell is always full of volcanoes, lava, and no place to stand. The little ghosts are always wretched and sick, crawling extremely fast and dragging people into the water.
However, in the "missionary", the heaven, hell, and angels that talk about from beginning to end are all ordinary to no more ordinary environments, ordinary to no more ordinary people... At
first, I think, well, maybe the director pursues It is realism, so let the plot of the feature film be in the end, and refuse to use any rivets related to science fiction. Later, the more I watched it, the more I understood the director's good intentions (I haven't read the original comics, so I'm just talking about the film). The more I think about it, the more I feel that the heaven and hell in this film are explained wonderfully!
The angels DeBlanc and Fiore, seemingly ordinary people, are angels from heaven. The only thing that can verify the angelic attributes they say is the infinite cycle of life after being killed. They don’t need wings at all to verify the true body, and they have no body. With stunts. But they can use the hands of angels to connect to the phone in heaven.