The complete small plot text basically consists of the external actions of "changing careers", "discovering the website", "shooting rape scenes", "shooting nude portraits" and "after the filming", which makes the heroine's inner world fully highlighted. The intertextuality and supplementation of "play within play" and the theme is the best one I have seen in the limited works. The two are almost natural. The play within the play is not only fully integrated into the plot, making the rhythm tight, and even giving A new solution to the mainline.
Director Jin Min has an extremely obvious and sharp critical attitude towards the identity of the idol singer representing the purity and the identity of the actor representing the filth. The alienation of people is just to please different objects (to make the groupies equally vulgar), which is a very realistic and humanistic expression. Sadly, many people still turn a blind eye to this point and are just busy criticizing the entertainment industry itself. the filth without reflecting on whether there is a similar evil logic in the public.
Looking at the heroine herself from another angle, in fact, her own understanding of subjectivity is also very elementary. When the subject is eroded by the gaze of the outside world, she does not analyze the process of self-desire and choice, but directly falls into chaos. The limitations may be due to time and space constraints. At the end of the so-called chasing and killing of the real murderer, although there may be various interpretations, I still think it is a damage to the style and theme of the film. After all, before that, the play in the play gave "Take the past personality as the character in the play". The answer is so awesome, and in the end, there is a real murderer who is at least not obvious, and it is always suspected that the end is unfinished.
When the heroine began to be confused and her memory was discontinuous, I immediately thought that this was Fang Siqi. It turns out that someone has photographed this kind of character state a long time ago, which makes me look forward to whether there will be works in future generations that can vividly show the reasons for this morbid state without losing depth and breadth, and let more people see it. It reminds me that "The Life of the Disgusted Matsuko" has a great essay to analyze the cause of the heroine's tragedy, and a very poor essay that only spills chicken soup as if to say some general words "I'm sorry for being a human being". The same is true for "The House of Weima". Although I think the degree of completion is limited, this theme has already extended to many issues worthy of discussion. If future generations fail to stand on the shoulders of giants and dig deeper things, and It has to wait for the subject of the tragedy to write sacrificial writing in order to once again give the public a shock of dimensionality reduction, which is a pity for all mankind. This is not to criticize Darren, Nolan or even the best-selling gentleman. They should exist, but they should not be the only ones in the mainstream market. There should be more Lass madness. In this way, there will always be a Lass mad that can really be beaten by dimensionality reduction. The public regards it as a great god with the same name as Nolan, so that the power of Nolan will truly grow. (fog)
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