With infinite admiration, I paid tribute to the work "The House of Weima", the ancestor of the pioneer world 25 years ago. Until I wrote this short review, I still haven't come back to my senses. Since the 2001 "Mulholland Drive" and "Deadly ID" in 2003 are both later than this work, and for the purpose of admiration and archaeology, I do not have any subversive expectations for the plot of the work. . In the first ten minutes, I was full of confidence and thought I had seen through all the truth. However, when the plot was halfway through, the protagonist began to fall into a disorder. The unrestrained editing and the strange combination of reality and reality made me realize that things are far from simple. Then in the extreme psychedelic and trance, I repeatedly overturned the previous reasoning, and finally ushered in the last 20 minutes of climax enough to be recorded in the annals of film history. The truth and the imagination were intertwined, and I was completely engulfed. Like Wei Ma, I could no longer distinguish between reality and hallucinations. I was insane and terminally ill. In the end, in an unexpected situation, the shock like a thunderbolt made me dumbfounded in front of the screen. Incredible, this is from 1997. It is even more unbelievable that Japan has long been at the forefront of avant-garde art in the West and even the world, no exaggeration, more than 20 years ahead.
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