A serial killer documentary? ? A classic example of a decent death? If the first victim is decent relative to the serial killer role. It may be more imaginative that the film ends abruptly in the house where the victims are piled up. As a thriller, the picture is not shocking enough, and the plot is not thrilling enough. As a drama film, the plot is relatively bland, the core is fuzzy, and the ups and downs are not enough. The art works (music, paintings, etc.) interspersed in the middle are used as auxiliary. It is a bright spot but also a failure. It does not play a role in sublimating or inheriting the plot nodes. In order to prevent misunderstandings, I read the analysis of other moviegoers, which may be more suitable to call it. Is it an expression of the director's personal artistic outlook? However, the diversity of expressions of violence is still interesting. The final hell suddenly leads a reality-oriented work straight to the virtual direction? The gate to hell is not difficult to guess and it is also very interesting. The director hopes to express his imagination of the ending and hell after the murderer enters hell. Overall, it's kind of boring as a thriller/drama.
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