Finch has a knack for making big stories small, but not so delicate

Verda 2022-04-19 09:02:22

As a director who has entered the film industry from advertising, David Fincher is undoubtedly standing opposite Ridley Scott. It's not purely because the latter is the only N-generation veteran of Hollywood epic movies, but Finch is more than obsessive-compulsive-like exquisite, in fact, there is a kind of film that can make any subject matter " The ability to be small", aesthetic, or impulsive. I'm not here to summarize his career, and I don't want to recall that "Alien", which Fincher did not admit to be his own work, was different from the style of Lei Gong's first work. Anyway, "Fight Club" was originally a story like "V for Vendetta", but in the end it only turned into a mental illness. And a subject like "Mank", if replaced by a general director, will definitely become a "Great Gatsby"-like spectacle, and Finch handles it more than Woody Allen's "Midnight" "Paris" is even more narrow, basically focusing on the performance of a screenwriter. The screenwriter's social activities are extremely limited, and the screenwriter in the film still has a broken leg, which is similar to the protagonist being a high-level paraplegic. difference. No matter how much Finch was influenced by his father's script in this movie, I feel that the American drama "Mindhunter" may have had a greater influence on Finch himself in recent years. It and "Mank" should both be works that I watch repeatedly and try to get close, but I dare not make sure that I will fall in love with these two one day, because the amount of information is really "dizzying". Moreover, these faithfully recorded information are not attached or parasitic on the plot, but directly crawled into the dialogue. This is actually like reading a collection of letters of one or more historical figures. Anecdotes and whispers that are inhumane to outsiders are contained and condensed together. You can say that it is a very precious bottle of old wine, but I hope it can maintain a keen appreciation long enough before getting drunk. power, not just a faithful record of ecstasy and hangover states.

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Extended Reading
  • Verda 2022-03-25 09:01:12

    Not behind the scenes of Citizen Kane, but more like Hollywood and Politics 1930-1940, with the best sculpting of the MGM executives I've ever seen, Mayer and Thalberg are finally not tool men anymore. Is it that the lack of understanding of the studio era may be uncomfortable for the dense name dropping in front of it?

  • Sunny 2022-04-21 09:02:46

    The threshold for watching movies is extremely high, and it is strongly recommended to watch Citizen Kane and behind the scenes of Citizen Kane first. The audiovisual level is worthy of the obsessive-compulsive Finch, which should be the most realistic digital photography that imitates the texture of film I have ever seen. The film grain has been done almost as if it were real, but unfortunately it still lacks the smooth texture of the emulsifier of the film image because the sharpness of digital photography is too high. The service is all online, and all kinds of tributes to Citizen Kane. This may be the most "gentle" of Finch's ostensibly rejuvenated films. But in reality the protagonist is still the kind of character he's been making: obsessive, borderline, cynical, and generally cool. The fascinating thing about this story is that all the designs are as casual and random as the actions of the protagonist himself. But little by little, the image of this tragic figure who seems to be walking around in the "Hollywood Cage", but is actually cynical and suffering, has come to the fore. Finch still completed another annotation of this era in his own way, but this time it was in the old dream of history. Escapism? No, it's called illumination

Mank quotes

  • Orson Welles: Mank? It's Orson Welles.

    Herman Mankiewicz: [etherized] Of course it is.

    Orson Welles: I think it's time we talked.

    Herman Mankiewicz: I'm all ears.

  • Herman Mankiewicz: You cannot capture a man's entire life in two hours. All you can hope is to leave the impression of one.