The great thing about this movie is that he makes the movie no longer be seen, but stared at.
You could even say he has no plot. A lot of the footage stayed for a long time, but it wasn't annoying in the slightest. First of all, the artistry plays a huge role in it. After all, every frame gives people a stable, picturesque visual experience. Who would be disgusted by beautiful things? At least I am willing to stare at these pictures for a long time, and at the same time, my thinking is also well involved, and many emotions are aroused, which makes the action of staring very effective. Secondly, the most primitive physical light and shadow, material, mechanical movement, and musical melody bring people the most simple and direct sensory experience and moving.
Besides, the shaping of the image of the soul seems to be only a piece of cloth, but it is far more amazing than the ghost special effects made by the computer in the later stage. After all, the writhing of the folds of the fabric, the crumbling marks of the corners, the drape of gravity: these are all real and at the same time surreal.
There is also a sense of detachment. Whether it's the car drifting away and you're still standing still, or the sudden collapse after giving up waiting. This sense of detachment always triggers an unspeakable emotion.
Great pattern. The film not only presents some kind of beautiful and beautiful feelings, but also discusses the past and future of the entire human being, what is the most precious wealth of human beings, the position of human beings in the universe, what is the struggle of individual people in their life, life Whether it's just an endless cycle of reincarnation, whether eternity exists, and whether you'd like to believe in the existence of souls is something that has yet to be explained.
Tears flowed when Beethoven's Ode to Joy sounded. .
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