It's been a long time since I downloaded this film
Sure enough, this is not a movie I can keep watching when I'm not in the mood. I'm glad I chose to watch it on a Sunday night because I'm full of energy.
I have a certain immunity to this film from the beginning. I have not seen other films of this director. I only read the story introduction and preview, and I think it is a very literary film. The word very literary is not a good word because in my opinion Very literary and may also represent pretentiousness
Some of the style of the film makes me feel like a Terrence Marek film but from the first third of the film it makes it hard for me to imagine how the story will develop next because the first third is particularly boring to me They are all ready to give up for the second time. Of course, this includes Rooney Mara's 5-minute long shot of eating cake. When dealing with this part, the director zoomed out the camera and pulled people away from the close-up sadness and the front. The big, long takes just feel pointless so I don't know how the story will go next Seeing here the reason for wanting to drop this movie comes because it seems like it's just to show the sad story and it doesn't make any sense compared to Tyron Although there are many such empty shots in S. Marek's films, his films have a core of the story even if they have been poorly evaluated in recent years, but the first third of this film really makes me scratch my head
Fortunately, the next story is still interesting. Although the next story is still as slow, it is more interesting than before. The story is gradually enriched.
Rooney moved and moved in with a single parent family that was supposed to be a South American family a mom with two kids there wasn't actually an explanation of the time in the movie and of course it didn't need to so we don't know how long they lived there but we do know the male The protagonist scared the family away because he couldn't stand such a peaceful life. He was waiting for Rooney to come back. This conversation directly named the theme time and the meaning of existence of the film, but this piece of eloquence is the most talked about part of the film. It is strange that the rhythm of the other paragraphs is different. In fact, I don’t understand the director’s prominent exposition.
The timeline of the next movie continues to speed up. I think the next part is the sublimation of the movie. After two residents estimated that it was haunted and then deserted, and then it underwent reconstruction. The original house was leveled and a city was built here. We still have no way of knowing the time, but it should have been a long time since the hero is still waiting. Unfortunately, the heroine never came back. This echoes the last resident's eloquent talk about time and existence after drinking.
And the finishing touch of the film is that the soul of the protagonist of reincarnation travels back to the beginning of the construction of the house. The earliest people hoped to build a house here. The history of this place and his existence made him stay here. This is fate, right?
I don't like this movie very much, especially the first 3/1 makes me feel very slow and meaningless because it is very literary and feels that many things are deliberate, but the reincarnation and destiny proposition of the third paragraph make me really like it, of course I also like it very much The performances of the male and female lead actors, the music and the setting of the story look at the world and loneliness from a ghostly perspective
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