Useless and magnificent shots, without a hint of ostentatious image style, occasionally the beauty of nature, even the first concert of Little Sugar Man in South Africa only used home video clips, the images showed ordinary enthusiasm and enthusiasm. Shabby, no overlooking no looking up. Only when the lenses are connected in series can one realize the extraordinaryness of Rodriguez's miracle. There is no whimsy or subjective assumptions. The director mostly just restores the camera to the process of 'searching' for Rodriguez, as if he recorded the search in the past, leaving the wonderful to the legend itself, because the legend itself is a sublimation.
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