the movie starts with cole porter's you do sth to me that woody used in midnight paris to
be continued
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A closer look at the magic moonlight
Willa 2022-04-21 09:02:50
From the title, the word magic has many meanings: it refers to both as a magician (mainly performing escape magic, which is a bit like the translocation of the king car in the national elephant (about this Kundera borrowed from Agnes in "Immortal") A fascinating analysis, I need to look at it again)) The male protagonist also refers to the magic of love sprouting under the moonlight, making the magician realize the value of irrationality. In the moonlight, many things happen under the moonlight. The moon affects the tides, and the moon drives the physiological period of human beings. The moon is a relatively small division of human time relative to the sun. If there is nothing new under the sun, then the moon becomes the The mother of all miraculous, remote possibilities. In 1q84, Murakami discussed the difference between the words insane and lunatic. Insane is a state of renunciation of rational sane, while lunatic, a derivative of luna, refers to an extraordinary state that is influenced by the moon.
the movie starts with cole porter's you do sth to me that woody used in midnight paris to
be continued
the movie starts with cole porter's you do sth to me that woody used in midnight paris to
be continued
Extended Reading
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Stanley: The comparison makes me laugh! Olivia is a person of accomplishment and charm. Sophie's a street finagler who makes her way living off one bit of hokum to the next.
Aunt Vanessa: Well, I don't see how you can compare the two.
Stanley: Well, don't put ideas into my head!
Aunt Vanessa: Well, far be it from me!
Stanley: Of course, she does come from dire circumstances. I mean, it's very easy to be judgmental about people who are born into circumstances less fortunate than one's own.
Aunt Vanessa: Well, life is harsh. One must do what one must to survive.
Stanley: Well put. And people do sometimes make the wrong choices, which they regret, even though no serious harm was done.
Aunt Vanessa: Which of us has not made some blunders in life?
Stanley: And there is a rather appealing quality about Sophie. Despite her disgusting behaviour.
Aunt Vanessa: Yes, her smile is rather winning. Of course, it depends how much value you put on the purely physical.
Stanley: Well, no, I... I, for one, esteem the higher virtues.
Aunt Vanessa: Hmm... Beauty of the soul...
Stanley: Although her eyes are rather pleasant to look into. And that she can be amusing, under the right circumstances.
Aunt Vanessa: Oh, but Olivia is an educated, cultivated woman. One that befits a man of your artistic genius.
Stanley: Yes, now, my genius must be factored in. On paper, there's really no reason to prefer Sophie to Olivia.
Aunt Vanessa: Well, I would say the opposite.
Stanley: ...And so your, your suggestion that I, I be honest with Olivia and tell her that as irrational as it seems, I've fallen in love with, with Sophie - that's a preposterous notion.
Aunt Vanessa: It's lunacy.
Stanley: ...Yet I can't help feeling that...
Aunt Vanessa: ...That you love Sophie. Yes, I understand. You're puzzled and bewildered; because your foolish logic tells you that you should love Olivia.
Stanley: Foolish logic?
Aunt Vanessa: And yet, how little that logic means when placed next to Sophie's smile...
Stanley: What are you saying?
Aunt Vanessa: ...That the world may or may not be without purpose, but it's not totally without some kind of magic.
Stanley: ...I have irrational positive feelings for Sophie Baker. It's like witnessing a trick I can't figure out.
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Aunt Vanessa: Which of us has not made some blunders in life?