Woody Allen continues to explore reason and sensibility, reality and imagination

Kristina 2022-04-20 09:02:03

Saw Woody Allen's new Magic in the Moonlight, which premiered at the Film Museum. Looking down from the penultimate row of seats about five meters high, the audience was mostly gray-haired or hairless. The movie starts and the music starts. Another minor tune from Midnight in Paris, a scene from the 1920s in France. Perhaps many viewers also come to miss the past.
The story is still great, except when Colin Firth is proposing, I can't help but get into the scene where Mark Darcy proposes to Elizabeth Bennett, or the scene where Bridget Jones is confessed. The character creation is so similar.
It is also interesting to discuss rationality and emotion. This is the center of the story's inconsistency, and perhaps what Woody Allen has been exploring in this series of stories. How fun it is sometimes to let go of the constraints of reason and have a dream. What's more interesting is that when Colin Firth wakes up from a dream or Ms. Baker's lies, reason declares victory, but he can't get happiness. The irrational and absurd person in his eyes completely made him feel a world of optimism for the first time, but just denying the absurdity itself could not eliminate his first real sense of joy. The ending of the story is completely unexpected, like a dream. It seems that sensibility is the final winner. True or false, a dream, why not.

View more about Magic in the Moonlight reviews

Extended Reading
  • Ole 2022-03-29 09:01:04

    Although the story is old-fashioned, its outline is acceptable. The problem is that there is absolutely no chemistry between the two leading actors. Every gesture is a farce, and there is no emotion at all. This is probably the most boring piece of Woody Allen in recent years.

  • Ole 2022-04-23 07:03:11

    The story is relatively easy to guess, but it is this old-fashioned story in the hands of Woody Allen, coupled with retro music and bright pictures, still so charming

Magic in the Moonlight quotes

  • Sophie: But when you went on to show me how *irrational* it was, and-and then you *proved* it, with geometrical *logic*...

    Stanley: No, geometry was never my strong subject.

  • Howard Burkan: [about Olivia] What a lovely, *rational* human being. I should look her up. She's bright, pretty, she likes magicians.