Woody Allen continues to explore reason and sensibility, reality and imagination

Kristina 2022-04-20 09:02:03

Saw Woody Allen's new Magic in the Moonlight, which premiered at the Film Museum. Looking down from the penultimate row of seats about five meters high, the audience was mostly gray-haired or hairless. The movie starts and the music starts. Another minor tune from Midnight in Paris, a scene from the 1920s in France. Perhaps many viewers also come to miss the past.
The story is still great, except when Colin Firth is proposing, I can't help but get into the scene where Mark Darcy proposes to Elizabeth Bennett, or the scene where Bridget Jones is confessed. The character creation is so similar.
It is also interesting to discuss rationality and emotion. This is the center of the story's inconsistency, and perhaps what Woody Allen has been exploring in this series of stories. How fun it is sometimes to let go of the constraints of reason and have a dream. What's more interesting is that when Colin Firth wakes up from a dream or Ms. Baker's lies, reason declares victory, but he can't get happiness. The irrational and absurd person in his eyes completely made him feel a world of optimism for the first time, but just denying the absurdity itself could not eliminate his first real sense of joy. The ending of the story is completely unexpected, like a dream. It seems that sensibility is the final winner. True or false, a dream, why not.

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Extended Reading

Magic in the Moonlight quotes

  • Stanley: The comparison makes me laugh! Olivia is a person of accomplishment and charm. Sophie's a street finagler who makes her way living off one bit of hokum to the next.

    Aunt Vanessa: Well, I don't see how you can compare the two.

    Stanley: Well, don't put ideas into my head!

    Aunt Vanessa: Well, far be it from me!

    Stanley: Of course, she does come from dire circumstances. I mean, it's very easy to be judgmental about people who are born into circumstances less fortunate than one's own.

    Aunt Vanessa: Well, life is harsh. One must do what one must to survive.

    Stanley: Well put. And people do sometimes make the wrong choices, which they regret, even though no serious harm was done.

    Aunt Vanessa: Which of us has not made some blunders in life?

    Stanley: And there is a rather appealing quality about Sophie. Despite her disgusting behaviour.

    Aunt Vanessa: Yes, her smile is rather winning. Of course, it depends how much value you put on the purely physical.

    Stanley: Well, no, I... I, for one, esteem the higher virtues.

    Aunt Vanessa: Hmm... Beauty of the soul...

    Stanley: Although her eyes are rather pleasant to look into. And that she can be amusing, under the right circumstances.

    Aunt Vanessa: Oh, but Olivia is an educated, cultivated woman. One that befits a man of your artistic genius.

    Stanley: Yes, now, my genius must be factored in. On paper, there's really no reason to prefer Sophie to Olivia.

    Aunt Vanessa: Well, I would say the opposite.

    Stanley: ...And so your, your suggestion that I, I be honest with Olivia and tell her that as irrational as it seems, I've fallen in love with, with Sophie - that's a preposterous notion.

    Aunt Vanessa: It's lunacy.

    Stanley: ...Yet I can't help feeling that...

    Aunt Vanessa: ...That you love Sophie. Yes, I understand. You're puzzled and bewildered; because your foolish logic tells you that you should love Olivia.

    Stanley: Foolish logic?

    Aunt Vanessa: And yet, how little that logic means when placed next to Sophie's smile...

    Stanley: What are you saying?

    Aunt Vanessa: ...That the world may or may not be without purpose, but it's not totally without some kind of magic.

    Stanley: ...I have irrational positive feelings for Sophie Baker. It's like witnessing a trick I can't figure out.

  • Aunt Vanessa: Which of us has not made some blunders in life?