6000 years of love and long-distance running, sweet toothache!

Laila 2022-01-03 08:02:08

Cuteness is really cute, and disappointment is also really disappointment. The irresponsible imagination and bad taste of Neil Gaiman’s original work may only be reflected in one-tenth of the episode, and the pleasing characters and (thankfully retained) part of the setting are revealed. The play only has an inexplicable rhythm and a weak plot. /Titi is the Crowley in my heart, sly, a little bit of inconspicuous kindness and a little bit of unnoticeable tyranny. And who is more suitable to play a hypocritical and uninteresting Gabriel than Jon Hamm. / The most surprising thing is the first half of the third episode. It took half an hour to shoot all the AU settings that the fan authors can imagine, from Genesis to the Middle Ages, you save me and I save you.

Barton 2022-03-25 09:01:13

The first 3 episodes were relatively tight, and then the rhythm began to dissipate when the main force went to Tadfield to find the Antichrist. Although the same is true in the original book, if this characteristic writing style is directly adapted into a series without adjustment, it will cause great incoherence in the narrative. The part where Adam was tempted to wake up by power was handled hastily. The dialogue between Adam and his friends in the original book was deleted a lot, which affected the logic of the plot. Some of the plots added by the episode itself are very good, for example, how the two of them played tricks to scare their bosses at the end is wonderful. It's not easy to finally see the good omen in an episode. To this day, Mr. Gaiman is still there and Mr. Pratchett is no longer there. But a good book is like a good friend, or like Crowley and Aziraphale's affection for each other, always be there for you. When you're feeling down, look for the omen!