When labeling this movie, I deliberately avoided the label of humanity. Or is the purpose of exchanging one million for love and even souls not human enough? In fact, I want to say, it is not enough, because, it is about love. I think Gage deserves the adjective suave, because he eventually opted out of his own accord, and someone who hasn't been deeply in love can be indifferent. The dance that Gage and Diana danced in the villa at dusk, and the kiss after the hesitation, cannot be measured in terms of worldliness and humanity, because once love appears, it can be followed. And I believe it's love, because of Gage's abandonment, and because Diana has been running away. From forty-five minutes on, the three people seem to have disengaged from the one million relationship, and the screenwriter stopped his work and drank tea and fell asleep. So the hard part is only the first 45 minutes, standing in front of God, the rest of the story is open and aboveboard.
There is no doubt that Gage is a charming person, which Robert Redford played the role vividly, so the barrage is full of "together" blessings. I don't think it's a trade-off between money and love, because if it were, there would be no regrets as a bystander. And in this movie, I do regret it. When Diana and Gage are together, it is a blessing. When Diana and Murphy are together, it is also a blessing. In the end, who will she choose? I think it was prompted by the screenwriter's return at this time. He decided Getting Diana and Murphy together required Diana's hesitation and Gage's withdrawal, so he arranged a charity auction and then put Diana through a lie. Let you hate me, and then leave me, in order to let go the most generous, this must be the love of the world.
Diana said: "We were wrong in the beginning" to understand why each other's eyes are so hot, why a million can only be guilt.
In the end, Diana and Murphy found their love back, conformed to mainstream values, and lived up to the long life they had traveled all the way. This arrangement is also good. When I recall this movie, I want to say that it was just a love, the love of a person. There is no reference, no analogy, and no warning. I think if the screenwriter keeps sleeping, the result will be good anyway, because about love, all fragility and wandering are powerful, all right and wrong and human nature cannot be asserted, and all possibilities are never determined.
She made such a choice, and there are many more people making their own choices. Labeling this movie, I only give one love, when I let go of the judgment, their love is the most beautiful.
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