The Chinese translation is just right, this movie has character and cannot be copied. The extremely strong author's experience and imagination are interspersed and projected onto each character, and it looks like some kind of spiritual life map of Berlin's era, a presentation of spiritual life, but it is through the author's perspective, conscious The strong authorship and the "big consciousness" outside of a big film guide the movement of the film invisibly. Eternity and the present, black and white and color, the exploration of self-reason and the existence of self-reality, these pairs of propositions of me and others are always running through the clues of the film, and they are properly integrated. Berlin seems to be only a story with historical authenticity. The place that takes place carries the juxtaposition and fusion of multiple timelines of the film, and the time here is more of a subjective time, so it seems to be a mental map outlined by the multi-line intersection of subjective streams of consciousness, but this is precisely the It is just a fiction of the author's spirit. The fact is that it is impossible to touch other people's spirits at all. The film is developed in this seemingly accessible but logically inaccessible place. The surreal performance and skilled use of mirrors and scheduling are just Formally, it makes it easier for people to enter this tension relationship. The angel's question is the question of the self and also the silent torture of the times on people. Therefore, people enter the anxiety of the self and the temporary forgetting of the physical existence in the world. Lyrical and stream of consciousness. This is a film written in poetic language. Wenders expressed his tribute at the end of the film. This film is worth watching and pondering repeatedly. The intentions and details in it may open up many wonderful spiritual places.
It is indeed a good detoxification and re-tightening after watching American movies
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